Jazz
CDアルバム

No. 3

0.0

販売価格

¥
2,690
税込
還元ポイント
24pt

販売中

お取り寄せ
発送目安
7日～21日

お取り寄せの商品となります

入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。

在庫表示と発送目安について
この商品を出品する
店舗取り置きサービスについて
この商品のコレクション情報を確認する
コレクション機能とは？
フォーマット CDアルバム
発売日 2015年10月29日
国内/輸入 輸入
レーベルKranky
構成数 1
パッケージ仕様 -
規格品番 KRANK199
SKU 796441819928

構成数 : 1枚
合計収録時間 : 01:10:43
Personnel: Freek Ruysschaert, Robin Van Heghe (violin); Pieter De Rydt (viola); Harm Garreyn (cello); Toshiyuki Shibata (flute); Eva Debruyne (oboe); Fabienne Vergalle (bassoon); Jesus Moreno Miras (trombone); Hannes Verstraete (horns); Mike Delaere (upright bass); Simon Decraene (percussion). Recording information: Concert Studio, Schouwburg, Kortrjik. Photographer: Julie Calbert. Arranger: David Anne. Brussels-based multimedia artist Christina Vantzou's third album expands upon the symphonic sound of her first two, continuing to mix orchestral instruments and choir vocals with electronics in order to create shifting soundscapes that mystify and enchant. At 71 minutes in length, No. 3 is easily her longest and most ambitious album to date, as well as her most structured, as it revolves around a series of pieces called "pillars," intended to be more direct than the ethereal drones that make up the rest of her work. Electronic instruments play a much wider role here than on her first two albums, including several modular synthesizers, and the album's second track is named after computer music pioneer Laurie Spiegel, whose warm, unpretentious compositions are a natural precedent to Vantzou's work. Pieces such as "CV" have greater emotional depth than her prior recordings, employing strings and woodwinds that explore different dynamics. Vantzou's labelmate Loscil guests on "Stereoscope," adding a glowing bass pulse to a distant, decaying drone. The album feels dark, ominous, and chilling, conjuring up images of deepest space, yet there's an unmistakably human touch to it, emphasized by gentle pizzicato strings, sparse piano notes, and serene vocals. No. 3 is a breathtaking album, seamlessly mixing electronic and acoustic elements in order to create music that feels as earthly as it does cosmic. ~ Paul Simpson

  1. 1.[CDアルバム]
    1. 1.
      Valley Drone
    2. 2.
      Laurie Spiegel
    3. 3.
      Pillar 3
    4. 4.
      Robert Earl
    5. 5.
      Library, The
    6. 6.
      Entanglements
    7. 7.
      CV
    8. 8.
      Cynthia
    9. 9.
      Stereoscope - (featuring Loscil)
    10. 10.
      Pillar 5
    11. 11.
      Moon Drone
    12. 12.
      Shadow Sun
    13. 13.
      Pillar 1
    14. 14.
      Future, The

作品の情報

メイン
アーティスト： Christina Vantzou

ゲスト
アーティスト： Loscil

その他
エンジニア： Chris Lambrechts

オリジナル発売日：2015年

商品の紹介

Stars of the LidのAdam WiltzieとともにThe Dead Texanとして活動していたブリュッセル在住の女性アーティスト/映像作家Christina Vantzouの3rdソロ・アルバム。作曲、アレンジに2年を費やし、クラシック音楽の楽器とシンセ、エレクトロニクスを溶け合わせるスタイルでじっくりと作り上げました。前作同様、15人編成の弦楽器、管楽器、金管楽器、そして聖歌隊からなるアンサンブルによってレコーディングされた本作は、時間構造なしで作曲された『N°1』『N°2』とちがい、確かな数式に固執して作られているそうです。サウンド面では『N°1』でのシンフォニック・アンビエント、『N°2』での重厚なオーケストラル・サウンド、その中間に位置するような印象で、よりドローンに傾倒したような壮大で瞑想的なポスト・クラシカル～アンビエントです。レーベルメイトのLoscilが参加しています。
発売・販売元 提供資料（2016/01/14）

Brussels-based multimedia artist Christina Vantzou's third album expands upon the symphonic sound of her first two, continuing to mix orchestral instruments and choir vocals with electronics in order to create shifting soundscapes that mystify and enchant. At 71 minutes in length, No. 3 is easily her longest and most ambitious album to date, as well as her most structured, as it revolves around a series of pieces called "pillars," intended to be more direct than the ethereal drones that make up the rest of her work. Electronic instruments play a much wider role here than on her first two albums, including several modular synthesizers, and the album's second track is named after computer music pioneer Laurie Spiegel, whose warm, unpretentious compositions are a natural precedent to Vantzou's work. Pieces such as "CV" have greater emotional depth than her prior recordings, employing strings and woodwinds that explore different dynamics. Vantzou's labelmate Loscil guests on "Stereoscope," adding a glowing bass pulse to a distant, decaying drone. The album feels dark, ominous, and chilling, conjuring up images of deepest space, yet there's an unmistakably human touch to it, emphasized by gentle pizzicato strings, sparse piano notes, and serene vocals. No. 3 is a breathtaking album, seamlessly mixing electronic and acoustic elements in order to create music that feels as earthly as it does cosmic. ~ Paul Simpson|
Rovi

メンバーズレビュー

レビューを書いてみませんか？

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。