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Rock/Pop
CD
Pylon
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★★★★★
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商品の情報

フォーマット

CD

構成数

1

国内/輸入

輸入 (International Version)

パッケージ仕様

-

発売日

2015年10月27日

規格品番

4751161

レーベル

SKU

602547511614

作品の情報
メイン
アーティスト
その他
オリジナル発売日
2015年
商品の紹介
1980年セルフタイトル"Killing Joke"でデビュー以来、ポスト・パンクの代表者としてその名を轟かせた彼らの通算16枚目の新作がリリース!
発売・販売元 提供資料 (2015/08/25)
収録内容

構成数 | 1枚

合計収録時間 | 00:57:03

Personnel: Jaz Coleman (vocals, keyboards); Geordie Walker (guitar); Paul Ferguson (drums); Tom Dalgety, Reza Udhin, Michael Rendall, Joe Jones , Edward Banda, Jamie Grashion, Amak Golden, Youth (programming). Audio Mixer: Tom Dalgety. Recording information: The Hives, Prague; The Lair, Bath; Vada Grashion Studios, Worcesterhire. Killing Joke's membership has gone through some periods of volatility since they emerged in the late '70s, but the reunion of the group's first lineup -- Jaz Coleman on vocals, Geordie Walker on guitar, Youth on bass, and Paul Ferguson on drums -- had proved to be more stable and prolific than many would have predicted, and 2015's Pylon, the third studio album since the original foursome returned to duty in 2008, shows the veterans are still sounding impressively muscular and acerbic as they close in on their 40th anniversary. Opening with the thunderous bass and drums (and abrasive guitars and electronics) of "Autonomous Zone," Pylon finds Killing Joke still ranting about the sorry state of our culture as they make with a massive sonic assault that would be a dandy soundtrack for the collapse of the civilization of your choice. While Coleman's vocals are generally low in the mix, what creeps through shows his powerful bellow is in fine shape, and the bursts of recognizable thought that make it through suggest he's still reading his daily newspaper and has no more hope for the world than he ever has. (A sticker on the cover of the CD edition reminds us, "Sometimes music makes the world seem a better, brighter place...But this is Killing Joke. So f--k that.") Walker's guitar eloquently chimes and growls on command, while Youth and Ferguson are still a strong, unrelenting rhythm section, and the keyboards and electronic treatments add to the menace and carefully choreographed chaos that have always been part of this band's personality. Pylon doesn't sound terribly innovative within the band's body of work, but the album's widescreen sound and bone-fracturing impact leave no doubt that Killing Joke are still deeply committed to what they do, and it's genuinely remarkable that they're still sounding this furious and effective 35 years after their debut album. ~ Mark Deming

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