Rock/Pop
CDアルバム

Magazines or Novels

0.0

販売価格

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2,190
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ポイント15%還元

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在庫状況 について

フォーマット CDアルバム
発売日 2015年10月09日
国内/輸入 輸入(ヨーロッパ盤)
レーベルArista
構成数 1
パッケージ仕様 -
規格品番 88875118932
SKU 888751189324

構成数 : 1枚
合計収録時間 : 00:00:00
The sophomore full-length by Andy Grammer was produced by veteran pop producer Jon Levine and it shows. Slick and glossy, the songs on Magazines or Novels are performed and produced with a goal -- conscious or not -- to match the massive success of the hit "Keep Your Head Up," from his self-titled debut -- not an easy thing to replicate, but this team gives it an honest try. As is often the case when following a successful debut, there is a bit of an identity crisis at work here: Grammer wrote or co-wrote everything here, and he seemingly did so with a careful ear to the radio. His first single, "Back Home," with its anthemic, near football-chanted male backing chorus, foregrounded banjo, and enormous tom-toms and kick drums is as catchy and appealing as mainstream pop gets. The L.A.-cum-Nashville swagger in "Honey I'm Good" melds the backing harmonies of Bruno Mars to Keith Urban's more easy grooving rock sensibility (though the overuse of Auto-Tune in the lead vocal was unnecessary), and could be a second single. More of Levine's effects -- laden production and slippery hip-hop rhythms -- haunt the foreground of "Masterpiece" while "Pushing" comes dangerously close to One Republic territory in both arrangement and production. "Red Eye," with its compressed loops, is offset by delicate synths in the intro and the backdrop, recalling Maroon 5, but it's bridged by an enormous backing chorus worthy of a Rihanna record. The closer, "Kiss You Slow," with its fat hip-hop loops and acoustic piano, ambient textures, and layered sound effects, is almost majestic in contrast, with Grammer's vulnerable vocal in the verse. Of course, this being a pop song, the backing singers on the refrain come across the front with enormity. On this last point, the backing choruses on virtually every song on Magazines or Novels make for excellent singalongs, perfect for the club or the car or even a sporting event. And that's on purpose. Every move here has been carefully calculated to engender fan support, sure, but to extend Grammer's reach toward a wider audience. With his appealing voice and good-natured charm, he will likely achieve just that. ~ Thom Jurek

  1. 1.[CDアルバム]
    1. 1.
      Honey, I'm Good.
    2. 2.
      Back Home
    3. 3.
      Pushing
    4. 4.
      Forever
    5. 5.
      Holding Out
    6. 6.
      Remind You
    7. 7.
      Masterpiece
    8. 8.
      Sinner
    9. 9.
      Red Eye
    10. 10.
      Blame It on the Stars
    11. 11.
      Kiss You Slow
    12. 12.
      Keep Your Head Up
    13. 13.
      Fine by Me

作品の情報

メイン
アーティスト: Andy Grammer

その他
プロデューサー: Jon Levine

商品の紹介

超キャッチーなメロディーと、「可愛い女の子に誘われても、愛する人が僕の帰りを待っているから、家に帰るよ!」というユーモアあふれる歌詞が共感を呼び、全米シングル・チャート9位を獲得し、プラチナ・セールスを記録するロング・ヒットとなっているシングル「Honey, I'm Good」。アンディ・グラマーは2011年アルバム『Andy Grammer』でデビューし、誰もが共感できる身近なテーマを、ポップなメロディーにのせて歌い続けてきた。大ヒットとなった「Honey, I'm Good」の他にも、仲間や家族との絆を歌った「Back Home」、上手くいかない時だって胸を張っていこう!とメッセージを送る「Keep Your Heads Up」など、過去のシングルも彼らしい個性で愛されてきた。2ndアルバムとなる『Magazines or Novels』は2014年8月にまずはUSのみでリリースされたが、今作は「Honey, I'm Good」の大ヒットを受けて発売される世界デビュー盤。2011年デビュー当時の人気曲「Keep Your Head Up」、「Fine by Me」を追加収録している。
発売・販売元 提供資料(2015/08/24)

The sophomore full-length by Andy Grammer was produced by veteran pop producer Jon Levine and it shows. Slick and glossy, the songs on Magazines or Novels are performed and produced with a goal -- conscious or not -- to match the massive success of the hit "Keep Your Head Up," from his self-titled debut -- not an easy thing to replicate, but this team gives it an honest try. As is often the case when following a successful debut, there is a bit of an identity crisis at work here: Grammer wrote or co-wrote everything here, and he seemingly did so with a careful ear to the radio. His first single, "Back Home," with its anthemic, near football-chanted male backing chorus, foregrounded banjo, and enormous tom-toms and kick drums is as catchy and appealing as mainstream pop gets. The L.A.-cum-Nashville swagger in "Honey I'm Good" melds the backing harmonies of Bruno Mars to Keith Urban's more easy grooving rock sensibility (though the overuse of Auto-Tune in the lead vocal was unnecessary), and could be a second single. More of Levine's effects -- laden production and slippery hip-hop rhythms -- haunt the foreground of "Masterpiece" while "Pushing" comes dangerously close to One Republic territory in both arrangement and production. "Red Eye," with its compressed loops, is offset by delicate synths in the intro and the backdrop, recalling Maroon 5, but it's bridged by an enormous backing chorus worthy of a Rihanna record. The closer, "Kiss You Slow," with its fat hip-hop loops and acoustic piano, ambient textures, and layered sound effects, is almost majestic in contrast, with Grammer's vulnerable vocal in the verse. Of course, this being a pop song, the backing singers on the refrain come across the front with enormity. On this last point, the backing choruses on virtually every song on Magazines or Novels make for excellent singalongs, perfect for the club or the car or even a sporting event. And that's on purpose. Every move here has been carefully calculated to engender fan support, sure, but to extend Grammer's reach toward a wider audience. With his appealing voice and good-natured charm, he will likely achieve just that. ~ Thom Jurek|
Rovi

LAのシンガー・ソングライターによる2作目だ。2014年のシングル"Honey, I'm Good"が、全米チャートをグングン上昇してロング・ヒット。それを受けての世界デビュー盤がこれで、2011年発表の人気曲も追加収録されている。全編ひたすらキャッチーで明るいポップ・チューンばかり。それはもう、出会った瞬間に肩を組んできそうなくらいのフレンドリーさで、深読みが必要なところなど一切ない。"Honey, I'm Good"の歌詞は〈カワイイお姐ちゃんに誘われたら1杯くらいは飲んで行きたくなるけど、浮気はマズイからやめとくよ〉ってなもので、そうした歌をソウル・ポップとカントリーが合わさった陽気なサウンドに乗せ、マルーン5のアダムに近い声で披露するのだから実に爽快。晴れの日にピッタリ!
bounce (C)内本順一
タワーレコード(vol.384(2015年10月25日発行号)掲載)

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