Orange And Blue

構成数 : 1枚
合計収録時間 : 00:59:25
Personnel includes: Al DiMeola (acoustic, electric, classical & 12-string guitars, Kurzweil piccolo flute, pipes, violin, Hawaiian string harp, santour, piano, synthesizer, drums, tablas, cymbals, shakers, percussion, finger snaps); Hernan Romero (vocals, acoustic guitar, double-neck charango, piano, synthesizer, bells, finger snaps); George Dalaras, Noa (vocals); Andres Boyarski (saxophone); Mike Pinella (trumpet); Conrad Herwig (trombone); Simon Shaheen (violin); Mario Parmisano (strings, piano, Fender Rhodes piano, Hammond organ, keyboards, bass, finger snaps); Marc Johnson (acoustic bass); Pino Palladino (electric & fretless basses); Peter Erskine, Manu Katche, Steve Gadd (drums); Gumbi Ortiz (congas, bongos). Principally recorded at The Power Station, The Hit Factory and Manhattan Center Studios, New York, New York. Composer: Al Di Meola. Personnel: Al Di Meola (guitar, acoustic guitar, acoustic 12-string guitar, electric guitar, 12-string guitar, classical guitar, koto, violin, duduk, shakuhachi, pipe, piano, grand piano, synthesizer, drums, cymbals, shaker, tabla, tom tom, percussion); Hernan Romero (vocals, guitar, acoustic guitar, charango, piano, synthesizer, bells); George Dalaras, Noa (vocals); Simon Shaheen (violin); Mario Parmisano (strings, piano, grand piano, organ, keyboards, synthesizer, keyboard bass); Andres Boiarsky (saxophone); Mike Pinera (trumpet); Conrad Herwig (trombone); Marc Johnson , Marc Johnson's Bass Desires (acoustic bass); Pino Palladino (fretless bass); Manu Katche, Peter Erskine, Steve Gadd (drums); Gumbi Ortiz (congas, bongos, percussion); Gumbi Oritz (percussion). Recording information: Churchill Recording, NJ; Hit Factory, NY; Manhattan Center Studios, NY; Power Station, NY. Al di Meola's passion for the acoustic guitar has not diminished his love of electric music. Upon collaboration with Gibson, the Al di Meola Jazz Guitar was issued. In stark contrast to his customary Les Paul, this guitar is a large hollow-body similar to an L-5. The jazz guitar allows di Meola to achieve a warmer tone; however, he seemed to be going through a Pat Metheny stage at the time of this recording. The upside is that di Meola's solos combine his remarkable control with a newfound sense of swing, the downside being that he seems to have lost some of his identity. "Chilean Pipe Song" stands as one of di Meola's most memorable compositions. The supporting cast of Mario Parmisano and Peter Erskine greatly enhance the music, as each is a distinguishable and tasteful musician. Erskine particularly shines on "Summer Country Song." The one burner here is "Casmir," a fast-paced tune reminiscent of the Elegant Gypsy days. "On My Own" features di Meola's debut on piano. It is by no means anything spectacular, but it does reaffirm his continued exploration and growth. The strong playing and quality of the compositions make this recommended despite the Metheny flavorings. ~ Robert Taylor
録音 : ステレオ (Studio)