構成数 | 1枚

合計収録時間 | 00:00:00

・全作オリジナル・マスター・テープを使用。
・ブラインド・テストを行いBOB LUDWIGがマスタリングエンジニアに決定
(96 KHz / 24ビットのサンプリングレートを用いた最高級品質のデジタル・マスターを作成)
・カッティングは高音質化を目指すためにABBEY ROAD STUDIOSのMiles Showellによるハーフ・スピードでのカッティング。
・全て180g重量盤
・アートワークはオリジナルを再現。
・レコード製造はドイツのOptimal社

Queen: Freddie Mercury (vocals, piano); Brian May (guitar, harp, ukulele, background vocals); John Deacon (electric piano, acoustic & electric basses); Roger Taylor (percussion, background vocals). Recorded at Sarm Studios, Roundhouse Studios, Olympic Studios, Scorpio Studios, Landsdowne Studios, London, England and Rockfield Studios, Wales. Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs," "Sweet Lady"), pop (the lovely, shimmering "You're My Best Friend"), campy British music hall ("Lazing on a Sunday Afternoon," "Seaside Rendezvous"), and mystical prog rock ("'39," "The Prophet's Song"), eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody." In short, it's a lot like Queen's own version of Led Zeppelin IV, but where Zep find dark menace in bombast, Queen celebrate their own pomposity. No one in the band takes anything too seriously, otherwise the arrangements wouldn't be as ludicrously exaggerated as they are. But the appeal -- and the influence -- of A Night at the Opera is in its detailed, meticulous productions. It's prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else. ~ Stephen Thomas Erlewine