構成数 | 2枚

合計収録時間 | 01:09:40

Personnel includes: Goldie (vocals, keyboards, various instruments); Louis Jardine (vocals, congas, percussion); Diane Charlamagne, David Bowie, Cleveland Watkiss (vocals); KRS-One (rap vocals); Adam Salkeld (acoustic & electric guitars); "Fucking Large" Noel Gallagher, Chico Science (guitar); Gavyn Wright, Wilf Gibson, Peter Oxer, Roger Garland, Rebecca Hirsch, Jim Mcleod (violin); George Robertson, Ivo van der Werff (viola); Tony Pleeth (cello); Dan Lipman (flute); John Eastcoat (flugel horn, horn); Guy Sigworth, Justina Curtis (Fender Rhodes piano, keyboards); Tim "Da Bass" Philbert, Chris Laurence (bass); Trevor "What A Fucking Cat" Moray (drums); Mark Sayfritz, Will O'Donovan, Optical (programming); DJ Agzi (scratches). Personnel: Goldie (vocals, keyboards, synthesizer, programming, background vocals); Louis Jardine (vocals, congas, percussion); Cleveland Watkiss, David Bowie, Diane Charlemagne, Cleveland Watkins (vocals); Adam Salkeld (guitar, acoustic guitar); Chico Science, Noel Gallagher (guitar); Peter Oxer, Benedict Cruft, James McLeod , Maciej Rakowski, Perry Montague-Mason, Rebecca Hirsch, Rolf Wilson, Wilfred Gibson, Vaughan Arinon, David Nolan , Dermot Crehan, James McLead, Vaughan Armon, John Bradbury , Roger Garland, Boguslav Kostecki, Gavyn Wright, Jackie Shave (violin); Peter Lale (viola, cello); Katie Wilkinson Khoroshunin, Bill Benham, Robert Smissen, George Robertson , Ivo Jan van der Werff, Philip Dukes, Bill Hawkes (viola); Frank Schaefer, Tony Pleeth, Martin Loveday (cello); Dan Lipman (flute); John Eastcoat (flugelhorn); Justina Curtis (Fender Rhodes piano, keyboards, synthesizer); Guy Sigsworth (keyboards); Trevor Morais (drums); Dillinja, Mark Sayfritz, Optical (programming). Audio Mixers: Justina Curtis; Goldie; Optical; Rob Playford; Will O'Donovan. Recording information: Angel Sound, London, England; Hit Factory, Unites States; Jacob's Studio, Surrey, England; Manic; Pierce Room, London, England; Ridge Farm, Surrey, London, England; Ridge FarmSurrey. Arrangers: Justina Curtis; Goldie; John Altman. Few would describe Goldie as a master of understatement. His private life, his fashion style, his musical output, all reach for registry on a grander scale than most other music superstars of the late nineties, Gallaghers and Spices included. No surprise then that SATURNZ RETURN, his second full-length album and his second two-cd set (!), is packed to the gills with drum'n'bass pomp; from the massive Metalheadz breakbeats that have cemented his visionary rep to cameos by two heavies (Noel Gallagher on "Temper Temper," and KRS-One on "Digital") meant to assist drum'n'bass' crash-landing into the pop consciousness. But the grandest thing about Goldie is his 70mm musical vision, and that's best exemplified by the hour-long opener "Mother," a Bjork-meets-Pink Floyd-in-the-jungle excursion that also serves as the album's emotional springboard in much the same way "Inner City Life" opened his debut. Amidst strings and sounds of landing rocketships (there's no hint of beat until more than twenty minutes into the piece), Diane Charlamagne's wailing diva vocals unlock the gates to Goldie's soul, letting both the light and the darkness escape. Needless to say, there's plenty of both in there.

録音 | ステレオ (Studio)