| フォーマット | CDアルバム |
| 発売日 | 2000年05月09日 |
| 国内/輸入 | 輸入 |
| レーベル | Bedrock |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 103 |
| SKU | 661569010321 |
構成数 : 1枚
合計収録時間 : 01:11:03
Gypsy: James C. Johnson, Enrico Rosenbaum (vocals, guitar); James "Owl" Walsh
(vocals, keyboards); Doni Larson (bass); James Epstein (drums).
Additional personnel: Preston Epps (percussion).
Producers: James Walsh, Glen Pace, Enrico Rosenbaum.
Reissue producers: James Walsh, Tom Danford.
Recorded at Devonshire Studios, North Hollywood, California in 1970.
Digitally remastered by Tom Fitzgerald (Oarfin Studios).
Personnel: John Knapp (vocals, guitar, keyboards); Enrico Rosenbaum (vocals, guitar, percussion); Rod Read, Robin Pizer, James C. Johnson (vocals, guitar); James Walsh (vocals, keyboards, percussion); David McCarthy (vocals); James Johnson (guitar); Jim Walsh (keyboards, percussion); Doni Larson (bass guitar); Moth Smith, Jay Epstein (drums).
Recording information: Devonshire Studios, North Holly.
Illustrator: Alfons Mucha.
Photographer: Ergo Pooka.
Arrangers: James C. Johnson; Enrico Rosenbaum; Jimmie Haskell; James Walsh.
Though nothing else on Gypsy's debut album came quite up to the standard of the opening number, the whole album is enjoyable for connoisseurs of jazzy progressive rock. That opening number, "Gypsy Queen," was the band's musical and commercial highlight, an organ-driven and harmony-laden blast of great progressive pop. Elsewhere on this album, the band blends Santana-like guitar and organ riffs with vocals and arrangements reminiscent of early Chicago in their better moments. Much of this is first-rate, and if "Gypsy Queen" weren't on this album, cuts like "The Vision" or "Standing in My Loneliness" would still make it worth having. The ensemble work is so impressive that it's hard to single out a particular player for praise, though James "Owl" Walsh's keyboard playing is particularly inventive. In retrospect, it's hard to believe that this debut didn't make a bigger splash when it was first released. Gypsy's work has held up very well compared to most albums from this era, and is still a delightful listen. ~ Richard Foss
録音 : ステレオ (Studio)
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