| フォーマット | CDアルバム |
| 発売日 | 1996年12月16日 |
| 国内/輸入 | 輸入 |
| レーベル | DEKO Music |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 1008 |
| SKU | 700925100822 |
構成数 : 1枚
合計収録時間 : 00:42:13
Personnel: Mary Ann Farley (vocals, acoustic guitar, piano, keyboards); John Sonntag (acoustic & electric guitars, harmonica); Helen Hooke (violin); David Plakke (soprano saxophone); Yianni Naslas (bass); Steve Wickins (drums); Edno (percussion).
Personnel: Mary Ann Farley (vocals, acoustic guitar, piano, keyboards); John Sonntag (acoustic guitar, electric guitar, harmonica); Helen Hooke (violin); Steve Wickins (drums).
Audio Mixer: Alan Douches.
Recording information: West West Side Music.
Illustrator: Mary Ann Farley.
The downtown Manhattan rock scene of the 1990s was inundated with "jangly guitar" acts, many of them painfully generic. But one of the more promising folk-rockers to make her presence felt in New York venues in the '90s is spunky Hoboken, NJ resident Mary Ann Farley, whose debut album Daddy's Little Girl is a departure from the two extremes one expects from '90s folk (angry sociopolitical commentary and waifish introspection). Like most singer/songwriters, however, Farley is an expert storyteller -- and an often clever one at that. Indeed, her cleverness is hard to miss on everything from "She" (a tale of a backstabber who is hardly the sweetheart she pretends to be) to the lusty "My Bare Hands." Sometimes, the vocalist/acoustic guitarist leaves her lyrics open to interpretation -- is "A Better Haircut," for example, really a celebration of shallow, materialistic women? Or is Farley actually making fun of their screwed-up priorities? Farley obviously isn't afraid to keep listeners guessing on a disc that is exciting both musically and lyrically. ~ Alex Henderson
録音 : ステレオ (Studio)
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