世界レコード総セールス1500万枚を誇る全米No.1歌姫ヒラリー・ダフ、待望の新作が遂に登場!2001年、14歳でディズニー・チャンネルの人気TVドラマシリーズ「リジー・マグワイア」の主役で世界大ブレイクを果たし、デビュー・アルバムでも全米1位を獲得、以来アーティスト/女優として世界中で愛され続けるヒラリー・ダフ。1児のママとなった今でも、その変わらぬキュートな美しさでますます輝いているヒラリーの、RCAレーベル移籍第一弾、オリジナル作品としては2007年以来ぶりとなる、通算5作目待望の新作『ブリーズ・イン ブリーズ・アウト』が遂に登場!エド・シーラン等がクレジットに名を連ね、本人もソングライティングに参加した意欲作。新シングル「Sparks|スパークス」に代表されるダンサブルでキャッチーな曲満載の最高にポップなアルバムに仕上がっている。また「スパークス」ミュージック・ビデオでは、なんとブラインド・デートをする様子などヒラリー自身のプライベート映像を大胆に披露し大きな話題に!

発売・販売元 提供資料 （2015/06/08）

Hilary Duff took an extended breather after the release of 2007's Dignity, sitting out music in favor for film, television, and family. She returned eight years later with Breathe In. Breathe Out., an album whose title suggests a certain measure of calm but whose music isn't quite placid. Picking up the dancey makeover of Dignity, Duff continues to favor the glossier, melodic segments of pop -- often, the album suggests nothing so much as an American spin on Natasha Bedingfield -- but there are certainly moments when it's clear she's paying attention to recent radio: it opens with one of those moments, with "Sparks" echoing Ellie Goulding while, later on, "Rebel Hearts" thumps to a Mumford & Sons stomp. Elsewhere, there are hazy hints of EDM but the appeal of Breathe In. Breathe Out. is how Duff keeps the focus on the song, so everything, even the rhythms, is coloring on cuts of soft, clean contemporary pop. That the album is ever so slightly out of fashion is also endearing, for it suggests Duff sings this pristine dance-pop not because she thinks it will sell but because it's what she enjoys. ~ Stephen Thomas Erlewine|

Rovi

Hilary Duff took an extended breather after the release of 2007's Dignity, sitting out music in favor for film, television, and family. She returned eight years later with Breathe In. Breathe Out., an album whose title suggests a certain measure of calm but whose music isn't quite placid. Picking up the dancey makeover of Dignity, Duff continues to favor the glossier, melodic segments of pop -- often, the album suggests nothing so much as an American spin on Natasha Bedingfield -- but there are certainly moments when it's clear she's paying attention to recent radio: it opens with one of those moments, with "Sparks" echoing Ellie Goulding while, later on, "Rebel Hearts" thumps to a Mumford & Sons stomp. Elsewhere, there are hazy hints of EDM but the appeal of Breathe In. Breathe Out. is how Duff keeps the focus on the song, so everything, even the rhythms, is coloring on cuts of soft, clean contemporary pop. That the album is ever so slightly out of fashion is also endearing, for it suggests Duff sings this pristine dance-pop not because she thinks it will sell but because it's what she enjoys. ~ Stephen Thomas Erlewine

Rovi