Presence: Deluxe Edition

Name: Presence: Deluxe Edition
Brand: Atlantic
SKU: 081227955748
Price: 9890 JPY
Availability: OutOfStock
Rating: 4.9 (8 reviews)

4.9

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フォーマット	LPレコード
発売日	2015年07月31日
国内/輸入	輸入(ヨーロッパ盤)
レーベル	Atlantic
構成数	2
パッケージ仕様	-
規格品番	8122795574
SKU	081227955748

構成数 : 2枚
合計収録時間 : 00:00:00
Led Zeppelin: Robert Plant (vocals, harmonica); Jimmy Page (electric & acoustic guitars, background vocals); John Paul Jones (bass, keyboards, background vocals); John Bonham (drums). Recorded at Musicland Studios, Munich, West Germany. Created at a time of intense turmoil for Led Zeppelin -- they scrapped a planned international tour in the wake of Robert Plant's car accident in Greece in August 1975 -- Presence is a strange, misshapen beast of a record that pulls upon its own tension. With Plant somewhat on the sidelines -- he recorded many of the vocals while in a wheelchair -- Jimmy Page reasserted himself as the primary creative force in the band, helping steer Presence toward a guitar-heavy complexity, perched halfway between a return to roots and unfettered prog. This dichotomy means it feels like Presence sprawls as wildly as Physical Graffiti even though it's half its length: the four epics tend to overshadow the trio of lean rockers that really do hark back to the Chess boogie and rockabilly that informed Zeppelin's earliest work. Each of these three -- "Royal Orleans," "Candy Store Rock," "Hots on for Nowhere" -- plays as snappily as the throwaways on the second half of Physical Graffiti, containing a sexy insouciance; the band almost seems to shrug off how catchy Page's riffs and how thick the grooves of John Bonham and John Paul Jones actually are. No matter how much fun this triptych is, they're lost underneath the shadow of "Achilles Last Stand," a ten-minute exercise in self-styled moody majesty and the turgid blues crawl of closer "Tea for One." In between, there are two unalloyed masterpieces that channel all of the pain of the period into cinematic drama: a molten blues called "Nobody's Fault But Mine" and "For Your Life," as sharp, cinematic, and pained as Zeppelin ever were. Added together, Presence winds up as something less than the sum of its parts but its imbalance also means that it's a record worth revisiting; it seems different upon each revisit and is always compelling. ~ Stephen Thomas Erlewine
エディション : Remaster、Deluxe Edition

1.[LPレコード]
【A面】
1. 1.
  
  Achilles Last Stand
  
  アーティスト： Led Zeppelin
2. 2.
  
  For Your Life
  
  アーティスト： Led Zeppelin
3. 3.
  
  Royal Orleans
  
  アーティスト： Led Zeppelin
1.[LPレコード]
【B面】
1. 1.
  
  Nobody's Fault But Mine
  
  アーティスト： Led Zeppelin
2. 2.
  
  Candy Store Rock
  
  アーティスト： Led Zeppelin
3. 3.
  
  Hots On For Nowhere
  
  アーティスト： Led Zeppelin
4. 4.
  
  Tea For One
  
  アーティスト： Led Zeppelin
2.[LPレコード]
【A面】
1. 1.
  
  Two Ones Are Won (Achilles Last Stand) (Reference Mix)
  
  アーティスト： Led Zeppelin
2. 2.
  
  For Your Life (Reference Mix)
  
  アーティスト： Led Zeppelin
2.[LPレコード]
【B面】
1. 1.
  
  10 Ribs & All/Carrot Pod Pod (Pod) (Reference Mix)
  
  アーティスト： Led Zeppelin
2. 2.
  
  Royal Orleans (Reference Mix)
  
  アーティスト： Led Zeppelin
3. 3.
  
  Hots On For Nowhere (Reference Mix)
  
  アーティスト： Led Zeppelin

作品の情報

メイン

アーティスト： Led Zeppelin

オリジナル発売日：1976年

商品の紹介

1976年にリリースされた、アルバム『プレゼンス』はドイツ、ミュンヘンのミュージックランド・スタジオで、わずか18日間という期間で、エネルギーを溜め込んだ竜巻の様に一挙にレコーディングされた。その作品は、全米そして全英でも1位に輝き、トリプル・プラチナムに認定される。「アキレス最後の戦い(Achilles Last Stand)」や「俺の罪(Nobody's Fault But Mine)」といった、エネルギーに満ち溢れ、燃え上がる様なツェッペリンの名曲で、グループが本能的に有しているハードな衝撃をもたらした。
『プレゼンス』のコンパニオン・オーディオは、5曲のレファレンス・ミックスとよばれる、その制作過程を明らかにする音源から選ばれている。
「フォー・ユア・ライフ」「アキレス最後の戦い」や「ロイヤル・オルレアン」といった楽曲の別の形が明らかになる一方で、今回初めて聴く事ができるインスト・ナンバーで、不思議なタイトルがつけられた「10リブズ&オール/キャロット・ポッド・ポッド(ポッド)」が日の目を見る。

発売・販売元提供資料（2015/06/05）

Q (11/94, p.143) - 3 Stars - Good - "...kind of PHYSICAL GRAFFITI, part two, though not quite essential..."

Rovi

Created at a time of intense turmoil for Led Zeppelin -- they scrapped a planned international tour in the wake of Robert Plant's car accident in Greece in August 1975 -- Presence is a strange, misshapen beast of a record that pulls upon its own tension. With Plant somewhat on the sidelines -- he recorded many of the vocals while in a wheelchair -- Jimmy Page reasserted himself as the primary creative force in the band, helping steer Presence toward a guitar-heavy complexity, perched halfway between a return to roots and unfettered prog. This dichotomy means it feels like Presence sprawls as wildly as Physical Graffiti even though it's half its length: the four epics tend to overshadow the trio of lean rockers that really do hark back to the Chess boogie and rockabilly that informed Zeppelin's earliest work. Each of these three -- "Royal Orleans," "Candy Store Rock," "Hots on for Nowhere" -- plays as snappily as the throwaways on the second half of Physical Graffiti, containing a sexy insouciance; the band almost seems to shrug off how catchy Page's riffs and how thick the grooves of John Bonham and John Paul Jones actually are. No matter how much fun this triptych is, they're lost underneath the shadow of "Achilles Last Stand," a ten-minute exercise in self-styled moody majesty and the turgid blues crawl of closer "Tea for One." In between, there are two unalloyed masterpieces that channel all of the pain of the period into cinematic drama: a molten blues called "Nobody's Fault But Mine" and "For Your Life," as sharp, cinematic, and pained as Zeppelin ever were. Added together, Presence winds up as something less than the sum of its parts but its imbalance also means that it's a record worth revisiting; it seems different upon each revisit and is always compelling. ~ Stephen Thomas Erlewine

Rovi