| フォーマット | LPレコード |
| 発売日 | 2015年06月29日 |
| 国内/輸入 | 輸入 |
| レーベル | BEATINK |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | WIGLP344 |
| SKU | 887828034413 |
構成数 : 1枚
合計収録時間 : 00:00:00
When Late of the Pier dissolved in 2010 -- two years after releasing the cult favorite Fantasy Black Channel -- Sam Eastgate took some time to work on solo experimental music and collaborate with New Zealand dreamweaver Connan Mockasin. Hints of all these projects can be heard in Inji, his full-length debut as LA Priest. Five years in the making, the album swirls together funk, disco, soft rock, dub, and more into soft-focus pop revealing that Eastgate's balance of catchy and challenging has grown defter over the years. He spends a good chunk of Inji reveling in atmospheres, whether on more experimental tracks like the rubbery "Gene Washes with New Arm" and the mosaic of samples that is "Lorry Park" or dramatic set pieces such as the slow-burning Prince homage "Occasion." However, the best moments deliver memorable hooks and melodies along with plenty of mood. "Oino" and "Lady's in Trouble with the Law" feel like perfect blends of chillwave and its spiritual forefather yacht rock, combining them into bittersweet cocktails of heartbreak and nostalgia. Meanwhile, "Party Zute/Learning to Love" goes in a complementary direction, turning chopped-up brass and driving rhythms into liberated, celebratory disco-house that evokes Arthur Russell. Eastgate goes even further into heart-on-sleeve territory on the standout closing track, "Mountain," where he sings "Was I born to love you/Was I born to be with you?" to a melody so pure that it crystallizes longing. Vulnerable, seductive, and expansive, Inji is a promising reintroduction to Eastgate's music that honors his past while moving forward. ~ Heather Phares

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
