Before This World

構成数 : 1枚
合計収録時間 : 00:41:45
Personnel: James Taylor (vocals, acoustic guitar, harmonica); Andrea Zonn (vocals, fiddle); David Lasley, Kate Makrowitz, Arnold McCuller (vocals); Michael Landau (electric guitar, nylon-string guitar); Larry Goldings (accordion, piano, Fender Rhodes piano, harmonium, organ, Wurlitzer organ); Steve Gadd (drums); Luis Conte (percussion). Audio Mixer: Dave O'Donnell . Liner Note Author: James Taylor . Recording information: Avatar Studios, New York, NY; Four Seasons Hotel, LA; GCR Audio, Buffalo, NY; Milkboythestudio, Philadelphia, PA; Ocean Way Recording, Hollywood, CA; The Barn, Washington, MA; The Ritz-Carlton, SF. Photographers: Ellyn Kusmin; Daniel Stephens; James O'Mara; Spencer Worthley; Timothy White . James Taylor never sets his guitar down -- he spends a good portion of every year satisfying faithful audiences -- but he did rest his pen, opting to sit out the 13 years following the release of 2002's October Road. He kept busy with covers albums and Christmas records, but Before This World finds Taylor returning to writing, a habit he abandoned about a decade prior. Often, Before This World contains echoes of the first decade of the new millennium -- there is a passing reference to 9/11 in a song about Afghanistan and a love letter to the Boston Red Sox's 2004 World Series win -- but Taylor wrote these all in a batch, then recorded them at home with his touring band. Such quick progress gives the record a cozy, unified feeling but, unlike some latter-day JT records, it's not too comfortable. Taylor is randy enough to sing about some "first-class poontang" on the nicely grooving "Stretch of the Highway," a song more notable for a mellow vamp worthy of Steely Dan, the first suggestion there's a bit more variety here than on a typical Taylor platter. He'll ease into his trademark laid-back pop, opening the proceedings with "Today Today Today" and brightening up the midsection with the happy "Watchin' Over Me," but as the record comes toward its conclusion, he takes detours into traditional English folk on "Before This World/Jolly Springtime" and "Wild Mountain Thyme," while etching out a cinematic protest song in "Far Afghanistan." When a record runs only ten tracks and 41 minutes, these departures amount to nearly half the record and turn Before This World into something unexpected: a record as relaxed as the average James Taylor album but one that's also riskier and richer, the right album for him to make at this date. ~ Stephen Thomas Erlewine