Just For The Record: Highlights

構成数 : 1枚
合計収録時間 : 01:16:06
Includes a 20-page booklet. Compilation producers: Barbra Streisand, Martin Ehrlichman. Personnel: Neil Diamond, Ray Charles (vocals); Richard Page (background vocals). Liner Note Author: Barbra Streisand. Recording information: 30th Street Studio, New York, NY (12/29/1955-02/21/1964); Bergman Home, Beverly Hills, CA (12/29/1955-02/21/1964); Columbia Recording Studio, New York, NY (12/29/1955-02/21/1964); Greenwich Village, New York, NY (12/29/1955-02/21/1964); Lion Share Recording Studios, Los Angeles, CA (12/29/1955-02/21/1964); London, England (12/29/1955-02/21/1964); MGM-Lorimar Recording Studios, Culver City, CA (12/29/1955-02/21/1964); Nola Recording Studios, New York, NY (12/29/1955-02/21/1964); TTG Recording Studio, Hollywood, CA (12/29/1955-02/21/1964); United Western Recording, Hollywood, CA (12/29/1955-02/21/1964); Waldorf-Astoria, New York, NY (12/29/1955-02/21/1964); Warner Bros., Burbank, CA (12/29/1955-02/21/1964). Photographers: David Skernick; Stuart Watson . For those who don't have the budget for the 4 CD "Just For The Record" box set, this single disc collects some of its more memorable performances.. This record is chock full of album versions, demos and unreleased rarities. "You'll Never Know" has a 13 year old Barbra strutting her stuff, expressing early signs of greatness. "A Sleepin' Bee" is from "The Jack Paar Show" in 1961, Barbra's first time on TV. There is no stage fright detected as she glides magnificently through the song. A real treat for Barbra fans is the inclusion of three songs recorded live from The Bon Soir Club in New York. "I Hate Music", "Nobody's Heart (Belongs To Me)" and "Cry Me A River" present the live Streisand experience complete with stage monologue. There are also duets aplenty, including "Cryin' Time" (with Ray Charles), which is as soulful as you get. "You Don't Bring Me Flowers" (with Neil Diamond) has the audience going mad at the 1980 Grammys. And "You'll Never Know" is Barbra's duet with Barbra! The album comes full circle as a 1988 recording is mixed over its 1955 version to show how the artist has matured. A fine overview of Babs' career, and great listening.
録音 : モノラル／ステレオ (Studio/Live)