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Rock/Pop
CDアルバム

White Men Are Black Men Too

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フォーマット CDアルバム
発売日 2015年04月上旬
国内/輸入 輸入
レーベルBig Dada
構成数 1
パッケージ仕様 -
規格品番 BDCD264
SKU 5054429001358

構成数 : 1枚
合計収録時間 : 00:38:56
Edinburgh hip-hop trio Young Fathers continue to evolve on their sophomore release, so much so that White Men Are Black Men Too could threaten a jump out of the "rap" section of any given record store if it weren't for all the electronic musical mashing and the album's aggressive, provocative title. Get past those two examples of the hip-hop aesthetic in action and this often bright, often very indie rock-influenced effort seems to owe more to Can than Nas, with the free-floating "Sirens" coming off as the Flaming Lips getting low, while "Shame" shakes a tambourine, employs throwback backup singers, and bounces with a bright melody straight out of the Passion Pit playbook. Phoenix should check if their book of riffs was stolen too, but the brittle and broken "Old Rock n Roll" is like nothing on the pop charts, as it brings to mind Flying Lotus with its complicated, dark music, plus the Last Poets with its complicated, honest lyrics ("I'm tired of having to hold back/I'm tired of wearing this hallmark for some evils that happened way back"). "Liberated" brings the same revolutionary spirit and anger, even when it is an uplifting and empowering number in the end, and then there's the musical tension on the album, as the opening "Still Running" teases the listener into thinking it's an intro, even as it builds and builds, refusing to break into a standard hook as it curls into a whirlwind. Member Aloysious Massaquoi declared that on this second LP "Young Fathers are breaking out of the ghetto," which might explain all the pop influences, but most of the competition is still catching up to the trio's debut. No musical ghetto here as White Men Are Black Men Too suggests Young Fathers are quintessentially ahead of their time, even when their music is tight, attractive, and vital enough to be enjoyed today. ~ David Jeffries

  1. 1.[CDアルバム]
    1. 1.
      Still Running

      アーティスト: Young Fathers

    2. 2.
      Shame

      アーティスト: Young Fathers

    3. 3.
      Feasting

      アーティスト: Young Fathers

    4. 4.
      27

      アーティスト: Young Fathers

    5. 5.
      Rain or Shine

      アーティスト: Young Fathers

    6. 6.
      Sirens

      アーティスト: Young Fathers

    7. 7.
      Old Rock n Roll

      アーティスト: Young Fathers

    8. 8.
      Nest

      アーティスト: Young Fathers

    9. 9.
      Liberated

      アーティスト: Young Fathers

    10. 10.
      John Doe

      アーティスト: Young Fathers

    11. 11.
      Dare Me

      アーティスト: Young Fathers

    12. 12.
      Get Started

      アーティスト: Young Fathers

作品の情報

メイン
アーティスト: Young Fathers

商品の紹介

世界的大ブレイク必至!人種、政治、性、宗教、すべての壁をブチ壊す2k15ポップ音楽革命。FKAツイッグス、デーモン・アルバーン、ボーズ・オブ・カナダ、モグワイ、チャーチズ、ロイヤル・ブラッド、ビッフィ・クライロ…なみいる強豪と下馬評を覆し、2014年マーキュリーとThe SAYアウォードの二冠を達成したエディンバラの3人組ユニット、ヤング・ファーザーズが加速する勢いそのままに、『White Men Are Black Men Too』をリリース!<Anticon>からリリースしてきたオルタナティヴ・ヒップホップ諸作のDNAを受け継ぎながら「ポップ・アルバムとはこうあるべきだ」と本人たちが語る通り、ベックがビーチ・ボーイズやキャプテン・ビーフハートとサンドイッチを作り、ファウストがザ・フォールとタンゴを踊るような、もしくはカニエとアニコレとアウトキャストが一緒に×××をキメたような、安易にカテゴライズされることを拒否するようにエモーショナルなフックとジャンルレスな音楽要素がスリリングなまでに躍動していく一枚!
発売・販売元 提供資料(2015/02/27)

Spin - "The LP is the group's most enjoyable, but also their most potent, all the more menacing for its unlikely grinning." NME (Magazine) - "Young Fathers' second record is a clattery lo-fi gospel of budget drum machines, enthusiastic xylophone, monomaniacal krautrock grooves, preacher-man testifying and a few good tunes..." Clash (Magazine) - "Young Fathers' second record is a clattery lo-fi gospel of budget drum machines, enthusiastic xylophone, monomaniacal krautrock grooves, preacher-man testifying and a few good tunes..."
Rovi

Edinburgh hip-hop trio Young Fathers continue to evolve on their sophomore release, so much so that White Men Are Black Men Too could threaten a jump out of the "rap" section of any given record store if it weren't for all the electronic musical mashing and the album's aggressive, provocative title. Get past those two examples of the hip-hop aesthetic in action and this often bright, often very indie rock-influenced effort seems to owe more to Can than Nas, with the free-floating "Sirens" coming off as the Flaming Lips getting low, while "Shame" shakes a tambourine, employs throwback backup singers, and bounces with a bright melody straight out of the Passion Pit playbook. Phoenix should check if their book of riffs was stolen too, but the brittle and broken "Old Rock n Roll" is like nothing on the pop charts, as it brings to mind Flying Lotus with its complicated, dark music, plus the Last Poets with its complicated, honest lyrics ("I'm tired of having to hold back/I'm tired of wearing this hallmark for some evils that happened way back"). "Liberated" brings the same revolutionary spirit and anger, even when it is an uplifting and empowering number in the end, and then there's the musical tension on the album, as the opening "Still Running" teases the listener into thinking it's an intro, even as it builds and builds, refusing to break into a standard hook as it curls into a whirlwind. Member Aloysious Massaquoi declared that on this second LP "Young Fathers are breaking out of the ghetto," which might explain all the pop influences, but most of the competition is still catching up to the trio's debut. No musical ghetto here as White Men Are Black Men Too suggests Young Fathers are quintessentially ahead of their time, even when their music is tight, attractive, and vital enough to be enjoyed today. ~ David Jeffries
Rovi

FKAツイッグスらを抑えてマーキュリー・プライズを獲得した前作からわずか1年ぶりの新作。ヒップホップ色は後退し、TVオン・ザ・レディオやベックを我流に解釈したような、人懐っこいメロディーとガチャガチャしたローファイなトラックで出迎えてくれる。インディー耳を通過した後の新たなポップスを作ろう!という心意気があっぱれ。後にエポックメイキングな作品として語り継がれることになるかも!?
bounce (C)武田晃
タワーレコード(vol.377(2015年3月25日発行号)掲載)

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