販売価格
販売中
お取り寄せお取り寄せの商品となります
入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。
| フォーマット | CDアルバム |
| 発売日 | 2015年01月27日 |
| 国内/輸入 | 輸入 |
| レーベル | Alive |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | ALVCD166 |
| SKU | 095081016620 |
構成数 : 1枚
合計収録時間 : 00:33:21
Personnel: Kevin Preston (vocals, guitar); Aaron Minton (saxophone, keyboards, percussion, background vocals); David S. Field (drums, percussion); "Lights Out" Levine (background vocals).
Photographer: Dawn Laureen.
The fourth studio long-player from the glittery glam rock/punk metal enthusiasts, Nine Lives and Forty-Fives is an unabashed love letter to '70s power pop, blue-collar juke joint swagger, and Sunset Strip glitz. More Redd Kross than Motley Crue, Prima Donna have some glam metal tendencies, but any predilection for big-hair excess is tempered by a seemingly genuine love of pop songcraft. The 11-track set opens with the fiery "Pretty Little Head," a punk-addled semi-thrasher that threatens to bust into "Ballroom Blitz" at any given moment. Delivered with appropriate amounts of bluesy gusto and good-natured rabidity by frontman Kevin Preston, who also lends his pipes to Green Day's garage rock alter ego Foxboro Hot Tubs, it provides a suitable litmus test for listeners wondering whether or not they should go deeper into the cigarette butt-strewn rabbit hole. What follows are seven more originals and three covers ("I'm on Fire" [Dwight Twilley], "Rock and Roll Is Dead" [the Rubinoos], and "Rip Her to Shreds" [Blondie]), with highlights arriving via the giddy, '90s alt-rock-inspired, handclap-laden "Deathless" and the meaty kiss-off anthem "Like Hell," the latter of which wouldn't have sounded out of place on a mid-period Social Distortion album. ~ James Christopher Monger

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
