構成数 | 1枚

合計収録時間 | 00:37:25

Personnel: Rosanne Cash (vocals, acoustic guitar); Bobby Bare (vocals); Hank Devito (acoustic, electric, steel & slide guitars); Rodney Crowell (acoustic guitar, background vocals); Brian Ahern (acoustic guitar); Frank Reckard, Aldo Strucci (guitar); Mickey Raphael (harmonica); Jim Horn (saxophone, bass flute); Tony Brown (piano); Glen D. Hardin (electric piano); Emory Gordy Jr. (organ, bass); John Ware, Hal Blaine (drums); Rosemary Butler, Larry Willoughby, Sharon Hicks, Cheryl Warren, Donivan Cowart (background vocals); James Burton, Ricky Skaggs, Emmylou Harris, Albert Lee. Engineers: Bradley Hartman, Donivan Cowart, Stuart Taylor. Recorded at Enactron Truck, Beverly Hills, California. Personnel: Rosanne Cash (vocals, acoustic guitar); Rodney Crowell (vocals, acoustic guitar); Larry Willoughby (vocals, background vocals); Emmylou Harris, Sharon Hicks, Cheryl Warren, Rosemary Butler, Bobby Bare (vocals); Hank DeVito (guitar, acoustic guitar, slide guitar); Frank Reckard (guitar, electric guitar); Albert Lee (guitar); Ricky Skaggs (acoustic guitar, mandolin, fiddle); Brian Ahern (acoustic guitar); Aldo Strucci, James Burton (electric guitar); Jim Horn (bass flute, saxophone, baritone saxophone); Mickey Raphael (harmonica); Glen D. Hardin (piano, electric piano); Tony Brown (piano); Emory Gordy Jr. (organ); Hal Blaine, John Ware (drums); Donivan Cowart (background vocals). Recording information: Enactron Truck, Beverly Hills, CA. Unknown Contributor Role: Rosanne Cash. On her debut American release (she'd done a record in Germany that she now disowns), Rosanne Cash may not have shaken the money tree or the Billboard charts, but she and husband/producer/collaborator Rodney Crowell began to change the face of contemporary country music forever. Recorded in L.A. and not Nash Vegas, Right or Wrong still utilized talent synonymous with Music City, but the sound that took country and merged it with the rock and pop styles of the day was a winning formula. Crowell and Cash made the song selections while Rodney called in Emmylou Harris's band (of which he was an alumnus) and some up and comers and created a sonic palette that accented the brave new world of stripped-down mixes and songs that came from the left field of country or pop (the European version of the album featured a Lennon/McCartney tune). Here are nods to the past and heritage in her father's "Big River," a couple of outlaw tunes from Keith Sykes (the title track and "Take Me, Take Me"), as well as the stunning ballad "Couldn't Do Nothing Right" by Karen Brooks and Gary P. Nunn. Jerry Jeff Walker recorded a hell of a version in the early '70s, but the crooning sorrow and ache in the grain of Cash's voice and the faux Caribbean rhythm behind a pedal steel-driven melody line make it an entirely different song. Speaking of voice, Cash is most comfortable singing her own searing ballads such as "This Has Happened Before," Crowell's "No Memories Hanging' Round," "Seeing's Believing," and "Anybody's Darlin." But Crowell's "Baby, Start Turnin' Em Down" is perhaps the strongest track on the album as it combines a restless country shuffle, a rocker's minor key blues riff, and a deliberate nod to Marvin Gaye's "Heard It Through the Grapevine" and Motown. Right or Wrong only got to number 42 on the Billboard chart, but it did make radio take notice that something new was about to happen, and on Seven Year Ache, the follow-up to this fine album, the floodgates opened. ~ Thom Jurek

録音 | ステレオ (Studio)