Rock/Pop
LPレコード

Who's Next<限定盤>

4.3

販売価格

¥
4,890
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2015年03月17日
国内/輸入 輸入
レーベルPolydor
構成数 1
パッケージ仕様 -
規格品番 3715614
SKU 602537156146

構成数 : 1枚
合計収録時間 : 00:00:00
The Who: Pete Townshend (vocals, guitar, piano, organ, ARP synthesizer); John Entwistle (vocals, brass, piano, bass); Keith Moon (drums, percussion). Additional personnel: Leslie West (guitar); Dave Arbus (violin); Nicky Hopkins (piano); Al Kooper (organ). Producers: The Who, Kit Lambert, Keith Moon. Reissue producer: Jon Astley. Includes liner notes by Pete Townshend and John Atkins. The Who: Roger Daltrey (vocals); Pete Townshend (guitar, piano, organ, ARP synthesizer, background vocals); John Entwistle (horns, piano, bass, background vocals); Keith Moon (drums, percussion). Additional personnel: Leslie West (guitar); Nicky Hopkins (piano). Producers: The Who, Glyn Johns, Kit Lambert. Recorded between 1968 & 1971. Includes liner notes by Pete Townshend, John Atkins, and Chris Charlesworth. Though Pete Townshend was originally unhappy with WHO'S NEXT, it was quickly welcomed by critics and fans, becoming one of the most celebrated titles in their enduring catalog. His frustrations boiled down to the album being a compromised version of a larger work he'd envisioned, LIFEHOUSE, which proved too unwieldy to be realized. Expanded to a two-disc set with essays by both Townshend and John Atkins, the original nine-song album is expanded with six additional studio tracks. These include earlier versions of the album's songs and a cover of Holland-Dozier-Holland's "Baby Don't You Do It." Recorded in New York during the spring of 1971 in the midst of a fraying relationship with producer Kit Lambert, the early cuts clearly don't have the sonic breadth and wallop of what the Who achieved back in England later in the year, but are fascinating nonetheless. The second disc was recorded live before an invited audience, and was originally part of the album's grand plan. Mixing new material with covers ("Road Runner;" Mose Allison's "Young Man Blues") and original tunes from their past (the anthem "My Generation"), the band plays with a palpable urgency and fire. This was the Who at the peak of its powers, a status the group would retain as a live act through the '70s.
エディション : Remaster

  1. 1.[LPレコード]
    1. 1.
      Baba O'Riley
    2. 2.
      Bargain
    3. 3.
      Love Ain't for Keeping
    4. 4.
      My Wife
    5. 5.
      Song Is Over, The
    6. 6.
      Getting in Tune
    7. 7.
      Going Mobile
    8. 8.
      Behind Blue Eyes
    9. 9.
      Won't Get Fooled Again

作品の情報

メイン
アーティスト: The Who

ゲスト
アーティスト: Nicky HopkinsAl KooperLeslie West

オリジナル発売日:1971年

商品の紹介

■「ババ・オライリィ」「ビハインド・ブルー・アイズ」「無法の世界」他、ライヴで発揮されていたドライヴ感をスタジオで再現することに成功した、ザ・フー最高傑作の誉れ高き作品(1971年発表)がLPで登場!
■デジタルリマスター 180g重量盤アナログLP
発売・販売元 提供資料(2015/02/16)

Rolling Stone (12/11/03, p.104) - Ranked #28 in Rolling Stone's "500 Greatest Albums Of All Time" - "...An extraordinary cache of songs..." Rolling Stone (9/2/71, p.42) - "...intelligently-conceived, superbly-performed, brilliantly produced, and sometimes even exciting rock'n'roll..." Rolling Stone (9/30/71, p.42) - "...what they have given up in rawness and razzle-dazzle they have gained in depth of vision and musical maturity. Every cut on the album has something to offer..." Q (1/03, p.62) - Included in Q Magazine's "100 Greatest Albums Ever" Q (1/96, p.158) - 4 Stars - Excellent - "Considered by many to be the band's best, 1971's WHO'S NEXT was their only Number 1 album..." Mojo (Publisher) (5/03, p.110) - 4 stars out of 5 - "WHO'S NEXT is The Who's most polished album, its hook-ridden songs pioneering the use of rock synthesizers without diluting the power-quartet attack that had defined the group since the mid-60s..." NME (Magazine) (9/18/93, p.19) - Ranked #21 in NME's list of the `Greatest Albums Of The '70s.' NME (Magazine) (10/2/93, p.29) - Ranked #99 in NME's list of the `Greatest Albums Of All Time.'
Rovi

メンバーズレビュー

6件のレビューがあります
4.3
50%
33%
17%
0%
0%
今でこそ音楽ジャンルとしてのロックにおいてシンセを使うのなんてなんら珍しい事じゃないし、むしろシンセが入ってい曲の方が少ないんじゃないかとも思ったりもするけどこのアルバムがリリースされた時代を考えると随分革新的なものだったんだろうなぁ。どんな風に感じたんだろうか。
0
相変わらず値段設定おかしい・・・
まー過去最高音質で聴けるだろうから買うけどさ~
絶頂期のLIVE盤を発売してくれー
2010/05/16 378さん
0
71年のブリティッシュ・ロックの盛り上がりっぷりは凄まじく、傑作が軒並み出現した。これもそのひとつ、ロック全盛期の宿命とでもいうべきヘヴィな雰囲気たっぷり。ただ、M1導入部の浮いたシンセサイザーの音はどうにも......。

2007/05/06 Nishaさん
0

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。