Exodus: Gods and Kings

The tale of Moses leading the Hebrews from the deadly plagues of Egypt does not call for a light touch. Acclaimed Spanish composer Alberto Iglesias (Talk to Her, The Constant Gardner, The Kite Runner) might have been a slightly unexpected choice to score Ridley Scotts biblical epic Exodus: Gods and Kings, but, like Moses, he rises to the challenge with passion and drama. Though it lives up to contemporary standards, there is something refreshingly old-fashioned about Iglesias big, theatrical score. With its massive choirs, heroic themes, and orchestral bombast, there is something of the golden age studio epic about it that is thrilling and fun. He employs a diverse mix of voices and frequently uses an evocative Middle Eastern flair to tell a story that is high on action and adventure. Iglesias has always brought a classy romanticism to his work (particularly his scores for Pedro Almodovars films) and its highly entertaining to hear him pull out all the stops and work in such a grandiose style. ~ Timothy Monger

モーゼの十戒の世界をリドリー・スコットが現代の映像技術と科学的歴史解釈で映画化した大スペクタクル。音楽はスペクタクル作品への登板は珍しいスペインの名匠アルベルト・イグレシアスで、激しい活劇シーンを中心とした追加音楽を、近年スコット組のハリー・グレッグソン=ウィリアムズが作曲。オーケストレーターと指揮はニコラス・ドッド。中近東のメロディの香りをさせた美しいメロディを緩やかに展開しつつ、スケール大きな活劇の世界へと流れていく。スペクタクル・オーケストラ・スコア・ファンはぜひ。 (C)馬場敏裕