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Various Artists

Truchers, Kickers, Cowboy Angels Volume 2: The Blissed-Out Birth of Country Rock 1966

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発売日 2014年10月17日
国内/輸入 輸入
レーベルBear Family Records
構成数 1
パッケージ仕様 デジパック
規格品番 BCD17362
SKU 5397102173622

構成数 : 1枚
合計収録時間 : 01:12:11
Liner Note Author: Colin Escott. Recording information: A&M Studio, Hollywood, California (01/09/1969); A&M Studio, La Brea Ave., Hollywood, California (01/09/1969); American Studio, Memphis, Tennessee (01/09/1969); Amigo Recording, North Hollywood, California (01/09/1969); Bakersfield International Studio (01/09/1969); Bradley's Barn, Mount Juliet, Tennessee (01/09/1969); Capitol Recording Studio, Hollywood, California (01/09/1969); Capitol Recording Studio, Nashville, Tennessee (01/09/1969); Columbia Recording Studio, San Francisco, California (01/09/1969); Columbia Studio D, Hollywood, California (01/09/1969); Columbia Studio, Hollywood, California (01/09/1969); Sammy Davis, Jr.'s Poolhouse, Hollywood, California (01/09/1969); Sunset Sound Recorders, Hollywood, California (01/09/1969); T.T. & G Studio, Hollywood, California (01/09/1969); The Hit Factory, New York, New York (01/09/1969); Wally Heider Recording, Inc., Hollywood, California (01/09/1969); A&M Studio, Hollywood, California (01/15/1969); A&M Studio, La Brea Ave., Hollywood, California (01/15/1969); American Studio, Memphis, Tennessee (01/15/1969); Amigo Recording, North Hollywood, California (01/15/1969); Bakersfield International Studio (01/15/1969); Bradley's Barn, Mount Juliet, Tennessee (01/15/1969); Capitol Recording Studio, Hollywood, California (01/15/1969); Capitol Recording Studio, Nashville, Tennessee (01/15/1969); Columbia Recording Studio, San Francisco, California (01/15/1969); Columbia Studio D, Hollywood, California (01/15/1969); Columbia Studio, Hollywood, California (01/15/1969); Sammy Davis, Jr.'s Poolhouse, Hollywood, California (01/15/1969); Sunset Sound Recorders, Hollywood, California (01/15/1969); T.T. & G Studio, Hollywood, California (01/15/1969); The Hit Factory, New York, New York (01/15/1969); Wally Heider Recording, Inc., Hollywood, California (01/15/1969); A&M Studio, Hollywood, California (01/16/1969); A&M Studio, La Brea Ave., Hollywood, California (01/16/1969); American Studio, Memphis, Tennessee (01/16/1969); Amigo Recording, North Hollywood, California (01/16/1969); Bakersfield International Studio (01/16/1969); Bradley's Barn, Mount Juliet, Tennessee (01/16/1969); Capitol Recording Studio, Hollywood, California (01/16/1969); Capitol Recording Studio, Nashville, Tennessee (01/16/1969); Columbia Recording Studio, San Francisco, California (01/16/1969); Columbia Studio D, Hollywood, California (01/16/1969); Columbia Studio, Hollywood, California (01/16/1969); Sammy Davis, Jr.'s Poolhouse, Hollywood, California (01/16/1969); Sunset Sound Recorders, Hollywood, California (01/16/1969); T.T. & G Studio, Hollywood, California (01/16/1969); The Hit Factory, New York, New York (01/16/1969); Wally Heider Recording, Inc., Hollywood, California (01/16/1969); A&M Studio, Hollywood, California (02/13/1969/02/14/1969); A&M Studio, La Brea Ave., Hollywood, California (02/13/1969/02/14/1969); American Studio, Memphis, Tennessee (02/13/1969/02/14/1969); Amigo Recording, North Hollywood, California (02/13/1969/02/14/1969); Bakersfield International Studio (02/13/1969/02/14/1969); Bradley's Barn, Mount Juliet, Tennessee (02/13/1969/02/14/1969); Capitol Recording Studio, Hollywood, California (02/13/1969/02/14/1969); Capitol Recording Studio, Nashville, Tennessee (02/13/1969/02/14/1969); Columbia Recording Studio, San Francisco, California (02/13/1969/02/14/1969); Columbia Studio D, Hollywood, California (02/13/1969/02/14/1969); Columbia Studio, Hollywood, California (02/13/1969/02/14/1969); Sammy Davis, Jr.'s Poolhouse, Hollywood, California (02/13/1969/02/14/1969); Sunset Sound Recorders, Hollywood, California (02/13/1969/02/14/1969); T.T. & G Studio, Hollywood, California (02/13/1969/02/14/1969); The Hit Factory, New York, New York (02/13/1969/02/14/1969); Wally Heider Recording, Inc., Hollywood, California (02/13/1969/02/14/1969); A&M Studio, Hollywood, California (03/19/1969); A&M Studio, La Brea Ave., Hollywood, California (03/19/1969); Amer

  1. 1.[CDアルバム]
    1. 1.
      Drug Store Truck Drivin' Man / The Byrds
    2. 2.
      Christine's Tune / The Flying Burrito Brothers
    3. 3.
      Texas Me / Doug Sahm / The Sir Douglas Quintet
    4. 4.
      Galveston / Glen Campbell
    5. 5.
      Lay, Lady Lay / Bob Dylan
    6. 6.
      The Night They Drove Old Dixie Down / The Band
    7. 7.
      Wheels / The Flying Burrito Brothers
    8. 8.
      Back Home Girl / The Corvettes
    9. 9.
      Through the Morning, Through the Night / Gene Clark / Doug Dillard
    10. 10.
      Who's Gonna Mow Your Grass / Buck Owens
    11. 11.
      Pickin' Up the Pieces / Poco
    12. 12.
      At the Crossroads / Doug Sahm / The Sir Douglas Quintet
    13. 13.
      Up On Cripple Creek / The Band
    14. 14.
      Sin City / The Flying Burrito Brothers
    15. 15.
      Level With Your Senses / The Corvettes
    16. 16.
      Silver Threads and Golden Needles / Linda Ronstadt
    17. 17.
      Hot Burrito #1 / The Flying Burrito Brothers
    18. 18.
      I'm Movin' On / Elvis Presley
    19. 19.
      Vaccination For the Blues / The Sanland Brothers
    20. 20.
      Make Me Smile / Poco
    21. 21.
      We Need A While Lot More Jesus (And A Lot Less Rock And Roll) / Linda Ronstadt
    22. 22.
      Lungs / Townes Van Zandt
    23. 23.
      Ruby (Don't Take Your Love To Town) / Kenny Rogers & the First Edition

作品の情報

その他
プロデューサー： Colin Escott

商品の紹介

The second volume of Bear Family's seven-disc country-rock history Truckers, Kickers, Cowboy Angels focuses on 1969, a crucial year in the music's development. It was the year Gram Parsons broke free from the Byrds to form the Flying Burrito Brothers, it was the year Bob Dylan released "Lay, Lady Lay," the year where the Band consolidated their success with their second album and its single "The Night They Drove Old Dixie Down," the year when the San Francisco-exiled Doug Sahm started to pine for "Texas Me," and, just as crucially, Glen Campbell adopted cinematic Hollywood production for "Galveston" as Buck Owens drenched "Who's Gonna Mow Your Grass' with fuzz guitars. Every one of these developments illustrated how country-rock was breaking into the mainstream and not from any one direction, either: there are bunches of Bakersfield twang but also Southern-fried soul, sultry Nashville production, a bit of proto-outlaw storytelling, and plenty of stuff that lies somewhere in between. What impresses most about this second volume of Truckers, Kickers, Cowboy Angels -- because this, like its predecessor, doesn't dig deep as much as it establishes history -- is how vibrant and exciting all these cultural cross-currents feel. The two years covered on Vol. 1 were the preamble: this is year zero of country-rock and in this excellent history, it still sounds invigorating and surprising. ~ Stephen Thomas Erlewine
Rovi

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