Rock/Pop
CDアルバム

Closer Look/Love's a Prima Donna

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3,590
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在庫状況 について

フォーマット CDアルバム
発売日 2001年05月07日
国内/輸入 輸入
レーベルBGO
構成数 1
パッケージ仕様 -
規格品番 527
SKU 5017261205278

構成数 : 1枚
合計収録時間 : 01:31:10
2 LPs on 1 CD: A CLOSER LOOK (1975)/LOVE'S A PRIMA DONNA (1976). Includes liner notes by Alan Clayson. An eccentric snapshot of Steve Harley and Cockney Rebel as their mid- to late-'70s downfall closed in around them, this two-on-one collection pairs 1976's Love Is a Prima Donna album with the first of the now-innumerable "best of" collections which highlight the group's hit career, A Closer Look. It is not a comfortable pairing. The compilation tracks (one through ten) are unequivocable brilliance, tracing Harley's vision through the decadent delicacies of the Human Menagerie and Psychomodo albums, and onto the staggering hybrid of hubris and humor which was 1975's The Best Years of Our Lives. Who could have guessed, as the chart-topping, heart-stopping "Make Me Smile" conquered everything in its path, that Harley would slip so far, so fast? Released just 18 months (and one more album, the negligible Timeless Flight) after Best Years, Love's a Prima Donna was best distinguished by Harley's assault on the Beatles' "Here Comes the Sun" -- distinguished, that is, if there is any distinction whatsoever to be drawn from a self-parody which tears the fabric of every last shred of conviction Harley ever exuded. Neither is it an isolated deviation. Never the most straightforward lyricist, the early Harley was as audacious as he was arrogant, and as absurd as he was either -- an unbeatable combination. Dip back into the Closer Look portion and marvel, slack-jawed, at "Sebastian," more than six operatic minutes of utterly preposterous meaninglessness, disguised as the most profound sound on earth. Then fast forward to "Innocence and Guilt." Somewhere along the line, Harley not only lost the absurdity, he also calmed the audacity and the result, while still capable of touching some sublime heights ("Finally a Card Came," "Prima Donna" itself), was as ugly as it sounds. In moments of irrational forgiveness, those which flash past as A Closer Look plays through, Steve Harley stands revealed as one of the greatest songwriters and most captivating performers of his generation, a man for whom seas might part and loaves might multiply. Even without the hit single which originally thrust him to fame, "Judy Teen," A Closer Look exudes a visionary majesty which places Harley on a pedestal alongside any hero you can name, and a few inches higher than most of them. And if you switch off the player as the tenth track closes, he remains there. Let it play on, though, and the whole world darkens -- and, to paraphrase his own "Tumbling Down," it's not only the blues that they've done something to. Oh dear. ~ Dave Thompson
録音 : ステレオ (Studio)

  1. 1.[CDアルバム] DISC 1:
    1. 1.
      Make Me Smile (Come Up And See Me)

      アーティスト: Steve Harley & Cockney Rebel

    2. 2.
      Mr. Raffles

      アーティスト: Steve Harley & Cockney Rebel

    3. 3.
      Panorama

      アーティスト: Steve Harley & Cockney Rebel

    4. 4.
      Hideaway

      アーティスト: Steve Harley & Cockney Rebel

    5. 5.
      Sebastian

      アーティスト: Steve Harley & Cockney Rebel

    6. 6.
      Sweet Dreams

      アーティスト: Steve Harley & Cockney Rebel

    7. 7.
      Psychomodo

      アーティスト: Steve Harley & Cockney Rebel

    8. 8.
      Mr. Soft

      アーティスト: Steve Harley & Cockney Rebel

    9. 9.
      Mirror Freak

      アーティスト: Steve Harley & Cockney Rebel

    10. 10.
      Tumbling Down

      アーティスト: Steve Harley & Cockney Rebel

作品の情報

メイン
アーティスト: Steve Harley & Cockney Rebel

商品の紹介

An eccentric snapshot of Steve Harley and Cockney Rebel as their mid- to late-'70s downfall closed in around them, this two-on-one collection pairs 1976's Love Is a Prima Donna album with the first of the now-innumerable "best of" collections which highlight the group's hit career, A Closer Look. It is not a comfortable pairing. The compilation tracks (one through ten) are unequivocable brilliance, tracing Harley's vision through the decadent delicacies of the Human Menagerie and Psychomodo albums, and onto the staggering hybrid of hubris and humor which was 1975's The Best Years of Our Lives. Who could have guessed, as the chart-topping, heart-stopping "Make Me Smile" conquered everything in its path, that Harley would slip so far, so fast? Released just 18 months (and one more album, the negligible Timeless Flight) after Best Years, Love's a Prima Donna was best distinguished by Harley's assault on the Beatles' "Here Comes the Sun" -- distinguished, that is, if there is any distinction whatsoever to be drawn from a self-parody which tears the fabric of every last shred of conviction Harley ever exuded. Neither is it an isolated deviation. Never the most straightforward lyricist, the early Harley was as audacious as he was arrogant, and as absurd as he was either -- an unbeatable combination. Dip back into the Closer Look portion and marvel, slack-jawed, at "Sebastian," more than six operatic minutes of utterly preposterous meaninglessness, disguised as the most profound sound on earth. Then fast forward to "Innocence and Guilt." Somewhere along the line, Harley not only lost the absurdity, he also calmed the audacity and the result, while still capable of touching some sublime heights ("Finally a Card Came," "Prima Donna" itself), was as ugly as it sounds. In moments of irrational forgiveness, those which flash past as A Closer Look plays through, Steve Harley stands revealed as one of the greatest songwriters and most captivating performers of his generation, a man for whom seas might part and loaves might multiply. Even without the hit single which originally thrust him to fame, "Judy Teen," A Closer Look exudes a visionary majesty which places Harley on a pedestal alongside any hero you can name, and a few inches higher than most of them. And if you switch off the player as the tenth track closes, he remains there. Let it play on, though, and the whole world darkens -- and, to paraphrase his own "Tumbling Down," it's not only the blues that they've done something to. Oh dear. ~ Dave Thompson|
Rovi

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