Free Will

5.0

販売価格

1,890

税込

販売中

在庫わずか

発送目安

当日～翌日

・在庫状況について

・各種前払い決済は、お支払い確認後の発送となります(Q&A)

在庫表示と発送目安について

この商品を出品する

店舗取り置きサービスについて

この商品のコレクション情報を確認する

コレクション機能とは？

フォーマット	CDアルバム
発売日	2014年09月29日
国内/輸入	輸入
レーベル	BGP (Beat Goes Public)
構成数	1
パッケージ仕様	-
規格品番	CDBGPM281
SKU	029667528122

構成数 : 1枚
合計収録時間 : 01:08:41
Personnel: Gil Scott-Heron (vocals, spoken vocals); Horace Ott (conductor); Brian Jackson (vocals, flute, acoustic & electric pianos, bells); Hubert Laws (piccolo, flute); David Spinozza (guitar); Gerry Jemmott (bass); Bernard "Pretty" Purdie (drums); Eddie Knowles, Charlie Saunders (congas, bongos, cowbell, agogo). Producer: Bob Thiele. Reissue producer: Ben Young. Recorded at RCA Studios, New York, New York on March 2-3, 1972. Originally released on Flying Dutchman (10153). Includes original liner notes by Gil Scott-Heron and reissue liner notes by Robin D. G. Kelley. Digitally remastered by Michael O. Drexler. This is part of Bluebird's First Editions series. Audio Mixer: Bob Simpson . Liner Note Authors: Dean Rudland; Gil Scott-Heron; Brian Jackson . Recording information: 03/02/1972/03/03/1972. Photographer: Ray Ross . Gil Scott-Heron's third album is split down the middle, the first side being a purely musical experience with a full band (including flutist Hubert Laws and drummer Pretty Purdie), the second functioning more as a live rap session with collaborator Brian Jackson on flute and a few friends on percussion. For side one, although he's overly tentative on the ballad "The Middle of Your Day," Scott-Heron excels on the title track and the third song, "The Get Out of the Ghetto Blues," one of his best, best-known performances. The second side is more of an impromptu performance, with Scott-Heron often explaining his tracks by way of introduction ("No Knock" referred to a new police policy whereby knocking was no longer required before entering a house, "And Then He Wrote Meditations" being Scott-Heron's tribute to John Coltrane). His first exploration of pure music-making, Free Will functions as one of Scott-Heron's most visceral performance, displaying a maturing artist who still draws on the raw feeling of his youth. The Bluebird reissue from 2001 includes eight alternate takes, best being an alternate of the title track. ~ John Bush

1.[CDアルバム]
1. 1.
  
  Free Will
2. 2.
  
  The Middle of Your Day
3. 3.
  
  The Get Out of the Ghetto Blues
4. 4.
  
  Speed Kills
5. 5.
  
  Did You Hear What They Said?
6. 6.
  
  The King Alfred Plan
7. 7.
  
  No Knock
8. 8.
  
  Wiggy
9. 9.
  
  Ain't No New Thing
10. 10.
  
  Billy Green is Dead
11. 11.
  
  Sex Education: Ghetto Style
12. 12.
  
  ...And Then He Wrote Meditations
13. 13.
  
  Free Will [Alt Take 1]
14. 14.
  
  The Middle of Your Day [Alt Take 2]
15. 15.
  
  The Get Out of the Ghetto Blues [Alternate Ending]
16. 16.
  
  Speed Kills [Alt Take 3]
17. 17.
  
  Did You Hear What They Said? [Alt Take 1]
18. 18.
  
  The King Alfred Plan [Alt]
19. 19.
  
  No Knock [Alt]
20. 20.
  
  Wiggy [Alt]
21. 21.
  
  Ain't No New Thing [Breakdown Take]
22. 22.
  
  Billy Green is Dead [Alt]
23. 23.
  
  ...And Then He Wrote Meditations [Alt]

作品の情報

メイン

アーティスト： Gil Scott-Heron

ゲスト

アーティスト： Hubert Laws 、 Brian Jackson 、 David Spinozza 、 Bernard Purdie

オリジナル発売日：1972年

商品の紹介

Down Beat (12/01, p.90) - 4 stars out of 5 - "...Establishing a funky backdrop, Gil sings/recites contemplative ghetto warnings and extols the virtues of Coltrane..."

Rovi

Gil Scott-Heron's third album is split down the middle, the first side being a purely musical experience with a full band (including flutist Hubert Laws and drummer Pretty Purdie), the second functioning more as a live rap session with collaborator Brian Jackson on flute and a few friends on percussion. For side one, although he's overly tentative on the ballad "The Middle of Your Day," Scott-Heron excels on the title track and the third song, "The Get Out of the Ghetto Blues," one of his best, best-known performances. The second side is more of an impromptu performance, with Scott-Heron often explaining his tracks by way of introduction ("No Knock" referred to a new police policy whereby knocking was no longer required before entering a house, "And Then He Wrote Meditations" being Scott-Heron's tribute to John Coltrane). His first exploration of pure music-making, Free Will functions as one of Scott-Heron's most visceral performance, displaying a maturing artist who still draws on the raw feeling of his youth. The Bluebird reissue from 2001 includes eight alternate takes, best being an alternate of the title track. ~ John Bush

Rovi