World/Reggae
CDアルバム

Rhythm Collision Vol.1

0.0

販売価格

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2,591
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2014年10月06日
国内/輸入 輸入
レーベルSosumi Recordings
構成数 1
パッケージ仕様 -
規格品番 SOSLP102
SKU 844493092643

構成数 : 1枚
合計収録時間 : 00:53:18
Personnel includes: Dave Winthrop (saxophone); John Segs (bass); Dave Ruffy (drums). Includes liner notes by Peter Wright. Full performer name: Ruts DC/Mad Professor/Zion Train This 2-CD collection contains the Ruts DC & Mad Professor album RHYTHM COLLISION DUB VOL. 1 (1982) plus the remixed version by Zion Train RHYTHM COLLISION REMIX (1999). Ruts DC: John Segs (vocals, guitar, bass); Paul Fox (vocals, guitar); Mitt (vocals, harmonica); David Ruffy (vocals, drums, percussion); Dave Winthrop (saxophone). Personnel: Paul Fox (vocals, guitar, keyboards); Mitt Gamon (vocals, harmonica); John "Segs" Jennings (vocals, keyboards); Dave Ruffy (vocals, drums, percussion). Audio Mixer: Mad Professor. Liner Note Author: Roland Link. Recording information: Blah Studios. Given the Ruts' love for and incorporation of reggae into their most strident punk material, it shouldn't have come as much surprise that they would eventually jump headlong into dub. Dedicated to Malcolm Owen, the band's lead singer who passed away two years prior, Rhythm Collision pairs the remaining Ruts in a sound clash with the then-upstart Mad Professor. The liner notes claim that no one was successful at the fusion of punk and dub until this record came out, which is a false proclamation. Three years prior to this release, PiL's Metal Box, the Slits' Cut, and the Pop Group's Y were each released, all of which -- among other earlier releases -- were rooted in dub. Unlike the other post-punk bands who were influenced by dub and mutated it into something of their own, Rhythm Collision sticks closer to the origin sound, rarely coming off like anything other than a late '70s Trojan recording act. Buried piano motifs, melodica bleats, random percussive effects, head-spinning production techniques, and those deep, deep, deep basslines load the bases. Aside from sporadic vocal phrasings, it's all instrumental. Most everything unwinds at a relaxed pace, save for "Push Yourself," which would fit comfortably in a DJ set between Liquid Liquid and Grandmaster Flash. The most uncharacteristic track of the record, its handclaps, funky bassline, and Chic-like guitar flicks are capable of making the most dedicated Ruts fan forget who is playing. As far as an homage to a style that's provided inspiration, Rhythm Collision couldn't have done much better. Thankfully, a couple labels -- most notably ROIR -- have kept this still-exciting record in print throughout the years. ~ Andy Kellman

  1. 1.[CDアルバム]
    1. 1.
      Whatever We Do
    2. 2.
      Militant
    3. 3.
      Push Your Self-Make It Work
    4. 4.
      Rhythm Collision
    5. 5.
      Accusation
    6. 6.
      Pleasures of the Dance
    7. 7.
      Weak Heart Dub
    8. 8.
      Love and Fire
    9. 9.
      Accusation [Version]
    10. 10.
      Whatever [We Do Vocal Dub]
    11. 11.
      Spears Edit [Lee Groves Mix]

作品の情報

メイン
アーティスト: Mad Professor

ゲスト
アーティスト: James Knight

オリジナル発売日:1982年

商品の紹介

Q (7/96, p.146) - 4 Stars - Excellent - "...marvellous album of heavy dub and twisted funk....The real talent here lies in the rhythm section of bass player John Segs and drummer Dave Ruffy....this was an album that towered above the efforts of their dub-dabbling contemporaries."
Rovi

Given the Ruts' love for and incorporation of reggae into their most strident punk material, it shouldn't have come as much surprise that they would eventually jump headlong into dub. Dedicated to Malcolm Owen, the band's lead singer who passed away two years prior, Rhythm Collision pairs the remaining Ruts in a sound clash with the then-upstart Mad Professor. The liner notes claim that no one was successful at the fusion of punk and dub until this record came out, which is a false proclamation. Three years prior to this release, PiL's Metal Box, the Slits' Cut, and the Pop Group's Y were each released, all of which -- among other earlier releases -- were rooted in dub. Unlike the other post-punk bands who were influenced by dub and mutated it into something of their own, Rhythm Collision sticks closer to the origin sound, rarely coming off like anything other than a late '70s Trojan recording act. Buried piano motifs, melodica bleats, random percussive effects, head-spinning production techniques, and those deep, deep, deep basslines load the bases. Aside from sporadic vocal phrasings, it's all instrumental. Most everything unwinds at a relaxed pace, save for "Push Yourself," which would fit comfortably in a DJ set between Liquid Liquid and Grandmaster Flash. The most uncharacteristic track of the record, its handclaps, funky bassline, and Chic-like guitar flicks are capable of making the most dedicated Ruts fan forget who is playing. As far as an homage to a style that's provided inspiration, Rhythm Collision couldn't have done much better. Thankfully, a couple labels -- most notably ROIR -- have kept this still-exciting record in print throughout the years. ~ Andy Kellman
Rovi

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