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  5. Before & After Science
Rock/Pop
CD
Before & After Science
Brian Eno
★★★★★
★★★★★
0.0
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商品の情報

フォーマット

CD

構成数

1

国内/輸入

輸入

パッケージ仕様

-

発売日

1989年09月18日

規格品番

32

レーベル

SKU

017046151320
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Mojo (Publisher) (p.123) - 4 stars out of 5 - "'No One Receiving' and 'Here He Comes' are simply great pop tunes."
Rovi
Before and After Science is really a study of "studio composition" whereby recordings are created by deconstruction and elimination: tracks are recorded and assembled in layers, then selectively subtracted one after another, resulting in a composition and sound quite unlike that at the beginning of the process. Despite the album's pop format, the sound is unique and strays far from the mainstream. Eno also experiments with his lyrics, choosing a sound-over-sense approach. When mixed with the music, these lyrics create a new sense or meaning, or the feeling of meaning, a concept inspired by abstract sound poet Kurt Schwitters (epitomized on the track "Kurt's Rejoinder," on which you actually hear samples from Schwitters' "Ursonate"). Before and After Science opens with two bouncy, upbeat cuts: "No One Receiving," featuring the offbeat rhythm machine of Percy Jones and Phil Collins (Eno regulars during this period), and "Backwater." Jones' analog delay bass dominates on the following "Kurt's Rejoinder," and he and Collins return on the mysterious instrumental "Energy Fools the Magician." The last five tracks (the entire second side of the album format) display a serenity unlike anything in the pop music field. These compositions take on an occasional pastoral quality, pensive and atmospheric. Cluster joins Eno on the mood-evoking "By This River," but the album's apex is the final cut, "Spider and I." With its misty emotional intensity, the song seems at once sad yet hopeful. The music on Before and After Science at times resembles Another Green World ("No One Receiving") and Here Come the Warm Jets ("King's Lead Hat") and ranks alongside both as the most essential Eno material.
Rovi
Before and After Science is really a study of "studio composition" whereby recordings are created by deconstruction and elimination: tracks are recorded and assembled in layers, then selectively subtracted one after another, resulting in a composition and sound quite unlike that at the beginning of the process. Despite the album's pop format, the sound is unique and strays far from the mainstream. Eno also experiments with his lyrics, choosing a sound-over-sense approach. When mixed with the music, these lyrics create a new sense or meaning, or the feeling of meaning, a concept inspired by abstract sound poet Kurt Schwitters (epitomized on the track "Kurt's Rejoinder," on which you actually hear samples from Schwitters' "Ursonate"). Before and After Science opens with two bouncy, upbeat cuts: "No One Receiving," featuring the offbeat rhythm machine of Percy Jones and Phil Collins (Eno regulars during this period), and "Backwater." Jones' analog delay bass dominates on the following "Kurt's Rejoinder," and he and Collins return on the mysterious instrumental "Energy Fools the Magician." The last five tracks (the entire second side of the album format) display a serenity unlike anything in the pop music field. These compositions take on an occasional pastoral quality, pensive and atmospheric. Cluster joins Eno on the mood-evoking "By This River," but the album's apex is the final cut, "Spider and I." With its misty emotional intensity, the song seems at once sad yet hopeful. The music on Before and After Science at times resembles Another Green World ("No One Receiving") and Here Come the Warm Jets ("King's Lead Hat") and ranks alongside both as the most essential Eno material. ~ David Ross Smith
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 00:39:30

Personnel: Brian Eno (vocals, guitar, electric guitar, brass, piano, keyboards, synthesizer, mini-Moog synthesizer, Moog synthesizer, vibraphone, percussion, bells); Kurt Schwitters (vocals); Fred Frith (guitar, electric guitar); Paul Rudolph (guitar, bass guitar); Phil Manzanera, Robert Fripp (guitar); Roedelius (piano, electric piano, keyboards); Dieter Moebius (keyboards); Percy Jones (fretless bass); Dave Mattacks, Phil Collins (drums, percussion); Andy Fraser, Jaki Liebezeit (drums); Shirley Williams (timbales, percussion); Rhett Davies (percussion). Recording information: Basing Street Studios, London, England; Coney's Studio, Cologne, Germany; Conny's Studio Outside Cologne, Germany; Conny's Studio, Germany; Conny's Studio, West Germany. Photographer: Ritva Saarikko. Unknown Contributor Roles: Shirley Williams ; Rhett Davies. Arrangers: Percy Jones; Fred Frith; Brian Eno. Eno's last glam-pop album before devoting himself entirely to ambient experimentation, BEFORE AND AFTER SCIENCE showcases two sides of Eno's musical personality. The first half of the disc is characterized by floppy, pop-tinged romps reminiscent of his earlier albums (and heralding later Eno-piloted projects such as the Talking Heads' SPEAKING IN TONGUES). Tunes like "Backwater" and "King's Lead Hat" (a song whose lyrics are reputedly about the Talking Heads, the title an anagram of the band's name) feature bouncy beats and keyboards, silly, riddle-like lyrics and Eno's Muppet-ish vocals. The second half is considerably more subdued: the tender, airy feeling of tracks like "Julie With" and "Spider and I" indicate Eno's softer, abstract, synthesizer-dominated direction. Taken together, the fine tracks of this disc frame two sides of Eno: the pop songster and the ambient composer.

録音 | ステレオ (Studio)

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