Rock/Pop
CDアルバム

Islands [Remaster]

0.0

販売価格

¥
2,629
税込
ポイント15%還元

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1989年09月18日
国内/輸入 輸入
レーベルEditions E.G. Records
構成数 1
パッケージ仕様 -
規格品番 1505
SKU 017046150521

構成数 : 1枚
合計収録時間 : 00:41:24
King Crimson: Boz (vocals, bass); Robert Fripp (guitar, Mellotron, harmonium); Mel Collins (flute, saxophone); Ian Wallace (drums, percussion); Peter Sinfield. Additional personnel: Robin Miller (oboe); Paulina Lucas (soprano saxophone); Mark Charig (cornet); Keith Tippett (piano); Harry Miller (bass). Lyricist: Peter Sinfield. Personnel: Paulina Lucas (vocals, soprano); Mel Collins (vocals, flute, bass flute, saxophone); Boz Burrell (vocals, bass guitar); Ian Wallace (vocals, drums, percussion); Robert Fripp (guitar, harmonium, Mellotron, keyboards, sound effects); Robin Miller (oboe); Marc Charig (cornet); Keith Tippett (piano, keyboards); Obin Miller (wind). Audio Remasterers: Robert Fripp; Simon Heyworth. Recording information: Command Studios, London, England. Photographer: Robert Ellis . On ISLANDS, Crimson left behind the formula they followed for their first three albums, setting off for more adventurous avenues of expression. If his leadership were ever in question before, Robert Fripp had emerged as the mastermind of the group by this point. There's a much looser feel here, and even when essaying a delicate ballad like "Formentera Lady" or the gorgeous title track, jazzy bass and piano lines and free-wheeling percussion keep things from getting too settled. The jazz influence always present in Crimson grew far more pronounced on ISLANDS via saxman Mel Collins and pianist Keith Tippett. Where the KC of old turned to Wagnerian grandeur to fill its classical quota, here they favor a more modern classical flavor, often approaching a third stream feel. Fripp's two instrumentals "Sailor's Tale" and "Prelude: Song of the Gulls" showcase his compositional and instrumental brilliance at its most undiluted. While there's more of a sprawling, spacious feel and little fury on ISLANDS, the dynamic shifts are as drastic as ever, as evidenced by new bassist/vocalist Boz Burrell's barely audible singing on "The Letters."
エディション : Remaster
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Formentera Lady

      アーティスト: King Crimson

    2. 2.
      Sailor's Tale

      アーティスト: King Crimson

    3. 3.
      The Letters

      アーティスト: King Crimson

    4. 4.
      Ladies of the Road

      アーティスト: King Crimson

    5. 5.
      Prelude: Song of the Gulls

      アーティスト: King Crimson

    6. 6.
      Islands

      アーティスト: King Crimson

作品の情報

メイン
アーティスト: King Crimson

その他
エンジニア: Andy Hendrikson
アーティスト: Keith Tippett
プロデューサー: King Crimson

商品の紹介

Uncut (p.97) - 4 stars out of 5 -- "The group never sounded so laidback and sun-baked as on 'Formentera Lady', decorated like the title track with glittering textures from a free jazz squad..." Mojo (Publisher) (p.120) - 4 stars out of 5 -- "'Ladies Of The Road' is a spectacularly lubricious funky blues showcasing of Mel Collins' leering, sexual tenor sax..." Record Collector (magazine) (p.83) - 3 stars out of 5 -- "[The album] opens with the 10-minute orchestral `Formentera Lady,' boasting flute and sax noodling..."
Rovi

The weakest Crimson studio album from their first era is only a real disappointment in relation to the extraordinarily high quality of the group's earlier efforts. The songs are somewhat uneven and draw from three years of inspiration. "The Letter" is an adaptation of "Drop In," a group composition that was featured in the early set of the original Crimson lineup from 1969, while "Song of the Gulls" goes back to the pre-King Crimson trio of Giles, Giles & Fripp for its source ("Suite No. 1"). There are also a few surprises, such as the Beatles-like harmonies on the raunchy "Ladies of the Road" and the extraordinary interweaving of electric guitar and Mellotron by Robert Fripp on "A Sailor's Tale, which is one of the highlights of the early- to mid-period group's output. Some of the music overstays its welcome -- several of the six tracks are extended too far, out of the need to fill up an LP -- but the virtuosity of the band picks up most of the slack on the composition side: Collins' saxes and Wallace's drums keep things much more than interesting in tandem with Fripp's guitar and Mellotron, and guest vocalist Paulina Lucas' keening accompaniment carries parts of "Formentera Lady" that might otherwise have dragged. ~ Bruce Eder
Rovi

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