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フォーマット |
CD |
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構成数 |
1 |
国内/輸入 |
輸入 |
パッケージ仕様 |
- |
発売日 |
2014年09月09日 |
---|---|
規格品番 |
LB0084CD |
レーベル |
|
SKU |
680899008426 |
構成数 | 1枚
合計収録時間 | 00:35:09
Audio Mixers: Moreno Veloso; Daniel Carvalho. Recording information: Ilha Dos Sapos Studio, Salvador; Matrioshka Studio, Rio De Janeiro; Monoaural Studios, Rio De Janeiro; Nave Studio, Rio De Janeiro; New York; Rio de Janeiro; Rockit! Estudios, Rio De Janeiro; Wonder Station Studio, Tokyo. Photographer: Arthur Nobre. Though it's been 13 years since Moreno Veloso released his debut, Maquina de Escrever, he's hardly been idle. The guitarist and singer/songwriter recorded the former album with +2 -- drummer Domenico Lancellotti and bassist Alexandre Kassin. In the interim, he's collaborated on their recordings to complete +2's trilogy, contributed to albums by Bebel Gilberto, Gal Costa, and Adriana Calcanhotto, and produced three records by his father. Where +2's trilogy was designed to explode pop's boundaries, Veloso's Coisa Boa is their antithesis: relaxed and simple (though progressive), its lightness creates a head (and heart) space for reverie. Most of these songs were inspired after Veloso relocated to Salvador, Bahia. Much of the set was recorded there, as well as in Rio, Japan, and New York. His supporting cast includes Lancellotti and Kassin, guitarist/co-producer Pedro Sa, Arto Lindsay, Takako Minekawa, Rodrigo Amarante, Melvin Gibbs, Davi Moraes, Daniel Jobim, and many more. Rehearsals sometimes took place while Veloso's children were sleeping, adding a quiet dynamic that wound its way into the recording process. The sense of time here is dilated, the production aesthetic is economic, open-ended. The first third of the record is more active and one readily detects Sa's influence. "La e Ca" showcases Veloso's acoustic guitar framed by his co-producer's signature electric six-string, as quirky and breezy electronic effects waft through the mix as Lindsay's elliptical lap steel glides through the lyric. "Um Passo a Frente" commences as a largely acoustic samba, but in the refrain it meets skittering electric guitars and pronounced percussion that create something akin to carnival music in miniature. "Em Todo Lugar" cops the vamp from the Beatles' "The End," while using a jazzy wah-wah guitar and funky bassline to deeply sensual effect. The record takes a gentler, almost rural tone in the center, commencing with "Verso Simples." Its clip-clopping percussion, mandolin, guitars, and whistling create an informal, back-porch feel. The title track is an intimate nocturnal waltz with trippy guitar effects and sparse percussion. "Jacare Coruja," with mini steel drums, coconut shells, and bass and guitar interplay, is an innocent fairy tale. "Num Galho de Acacias" is a lullaby, where the singer's and Minekawa's voices are accompanied by sweet Old World-sounding Wurlitzer. Both songs are tributes to Veloso's children, yet they also sound like the songwriter's wistful attempt to recapture, albeit momentarily, the dreamy innocence of childhood. The recording shifts mood again on "De Tentar Voltar." Illustrated by brushed drums, spidery electric guitar, and cello, it drips with sensuality. "Nao Acorde o Nenem" is a sprightly, sun-drenched, romantic choro. The brief closer, a duet with Minekawa on "Onaji Sora," is a melancholic yet committed love song, orchestrated only by acoustic guitar, bass, music box, and organic percussion. At only 35 minutes, Coisa Boa, with its focused musical simplicity, lyric intimacy, and spacious production, is as close to perfect as it gets. ~ Thom Jurek
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1.[CD]
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1.La e Ca
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2.Um Passo a Frente
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3.Em Todo Lugar
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4.Verso Simples
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5.Coisa Boa
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6.Jacare Coruja
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7.Num Galho de Acacias
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8.De Tentar Voltar
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9.Nao Acorde o Nenem
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10.Hoje
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11.Onaji Sora
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〈+2〉名義のアルバムから14年ぶりとなる、ペドロ・サーにアート・リンゼイ、ドメニコやカシン、嶺川貴子に高野寛といった仲間たちが参加した新作。シンプルかつリラックスした演奏のなか、繊細な歌声とメロディーの良さが際立っている。2人の子供に歌い聴かせるために作ったという曲が多いこともあり、人懐っこくてアットホームな雰囲気だ。良質なシンガー・ソングライター作品として長く愛聴できそう
bounce (C)ダイサク・ジョビンタワーレコード (vol.368(2014年6月25日発行号)掲載)
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ドメニコ、カシンとのトリオ、モレーノ+2名義のアルバム『タイプライター・ミュージック』で、ブラジル・ネオ新世代の幕を開けた2000年、オールスター・バンド、オルケストラ・インペリアルでの活動、父、カエターノ・ヴェローゾやジルベルト・ジル、ガル・コスタ、高野寛のプロデュース、とシーンの中心走り続けた彼が実に14年ぶり! となるスタジオ録音アルバムを発表。前作のメンバーはもちろん、朋友のペドロ・サーをはじめ、アート・リンゼイや嶺川貴子なども参加、長年に渡る交流の集大成的作品であり、2000年代のブラジルシーンを知る為にも重要! ナイーヴな歌声に遊び心たっぷりの音も健在!
intoxicate (C)真志田健次タワーレコード (vol.110(2014年6月20日発行号)掲載)
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