構成数 | 1枚

合計収録時間 | 01:12:44

Personnel includes: Louis Philippe; Dave Gregory (guitar). Contains 23 tracks. Personnel: Louis Philippe (vocals, guitar, piano, keyboards, background vocals); David Longdon (vocals, guitar, flute, background vocals); Anthony Adverse (vocals, background vocals); David Gregory, Richard Bolton (guitar, electric guitar); Bertrand Burgalat (guitar, piano, keyboards, drums); Matt Fox (dulcimer); Mike Williams (soprano saxophone); Paul Jayasinha, Chris Batchelor (trumpet, flugelhorn); Sid Gauld (trumpet); Phillip Eastop, Martin Owen (French horn); Dennis Rollins, Mark Bassey, Paul Taylor (trombone); Danny Manners (piano, keyboards, double bass); Dean Speedwell Brodrick (piano); Hussein Badreldin, Glen Fox, Mamoudi Kamara, Richard Thomas, Steve Noble (drums, percussion). Audio Mixers: K.V. Brake; Gerard Johnson; Nick Terry; Paul Kendall. Recording information: Chiswick Reach Studios; Rooster & Momentum Studios, Lon. Photographers: Matthew Jacobson ; David O'Driscoll; Patrick Messina ; Nick Wesolowski. Arrangers: Louis Philippe; Danny Manners. Louis Philippe has been crafting beautiful pop records that fall somewhere between Debussy and Brian Wilson for the better part of 15 years. With fans and contributors like High Llamas kingpin Sean O'Hagan and XTC's David Gregory (just to name two), Louis Philippe makes pop music that sounds like it came from the confectionary at a beautiful old neo-jetset theater. This stuff is sweet. But to simply write this music off as fey or ornate would do the artist (and the audience) a great disservice, for all of the songs included on this compilation are a triumphant declaration of Louis Philippe's skill as a songwriter/arranger. A Kiss in the Funhouse is a 23-track collection recorded for Japan's Trattoria label (released in America on Le Grand Magistery Records), featuring songs that at once evoke French pop from the mid-'60s and mine the rich and fertile pop soundscape that is "Beatles meet Bacharach." It is Philippe's sincerity, and his uncanny ability to sound happy, hazy, and decadent all at the same time, that would place him and his unique voice head and shoulders above his contemporaries, if he had any contemporaries to speak of. From chamber orchestra to big band and electronics, it is far more "punk rock" to play this style of music that almost any other, now that the world has moved out of the '90s and into the future. Although by no means comprehensive, A Kiss in the Funhouse is a perfect introduction that will leave you digging through record bins for more. ~ Terrance Miles

録音 | ステレオ (Studio)