| フォーマット | CDアルバム |
| 発売日 | 1995年04月16日 |
| 国内/輸入 | 輸入 |
| レーベル | One Voice/Satellites |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 1009 |
| SKU | 794787100922 |
構成数 : 1枚
合計収録時間 : 01:00:51
Personnel includes: Ryo Kawasaki (guitar); Ilana Iguana, Stefka Jourdan (vocals); Lincoln Goines, Bryce Sebastien (bass).
Personnel: Ryo Kawasaki (vocals, guitar, acoustic guitar, electric guitar, recorder, organ, synthesizer, guitar synthesizer, programming, background vocals); Ilana Iguana (vocals, background vocals); Stefka Jourdan (vocals); Lincoln Gaines, Bryce Sebastien, Lincoln Goines (electric bass); Tane Kawasaki, Paul Lockwood, Cynthia Sosland, Katya Kudrov, Scott Elliot (background vocals).
Audio Mixer: Ryo Kawasaki.
Recording information: Satellite Station, New York, NY (07/1993-11/1993).
Unknown Contributor Roles: Stefka Jourdan; Kyle West; Leon Zervos.
Arrangers: Ian Devaney; Kyle West; Andy Morris; Prince; Ryo Kawasaki; Sade.
Original sounds often come from unexpected stylistic hybrids, and wading through the latest batch of contemporary jazz releases rarely offers much hope in this area. A great exception to this rule is the engaging Japanese guitarist Ryo Kawasaki, whose Love Within the Universe defies strict categorization despite its lush stream of embraceable hooks, both original and covers. Though Kawasaki's acoustic and electric dynamism (often on the same song) is the constant that makes the disc so solid, it's the mesh of styles behind the strings that piques the ears. There's a sly urban feel beneath a Hiroshima-like sense of Eastern exoticism, brassy dance grooves behind a cover of Lisa Stansfield's disco hit "Change," a little new age grace, and even an African leaning on Horace Silver's "Song for my Father." Kawasaki holds this together with a George Benson-like electric flair and a tender acoustic passion. There is one element of ethnic overkill, however. The vocal passages (mostly by Ilana Iguana) are attractive at first, then grow slightly annoying as the guitarist tries to assert himself. Overall, though, this is one of the most engaging surprises of the mid-'90s. ~ Jonathan Widran
録音 : ステレオ (Studio)

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