Weird Scenes Inside The Gold Mine

1971年のジム・モリソンの急死後に初めてリリースされ、長らく絶版となっていた1972年発表の追悼ベスト盤が待望の初CD化!

1967～1971年にオリジナル・メンバーであるジョン・デンズモア、ロビー・クリーガー、レイ・マンザレク、そしてジム・モリソンによって録音された22曲を収録。ジムの死後初めてリリースされたドアーズ名義の作品だっただけに、その内容は単なるヒット曲集には終わらず、各アルバムの1曲1曲から名曲のみを厳選。ジムの創造性や革新性、突出した表現力やカリスマ性を惜しむ残されたメンバーやスタッフたちの無念な思いが凝縮された奥深い内容となっている。デビュー・シングル「ブレーク・オン・スルー」は勿論だが、『モリソン・ホテル』からの「ザ・スパイ」や『ソフト・パレード』からの「ラニン・ブルー」といったアルバム・トラックや、1969年シングル「ウィッシュフル・シンフル」のカップリング曲「フー・スケアード・ユー」や1971年シングル「ラヴ・ハー・マッドリー」のカップリング曲「ドント・ゴー・ノー・ファーザー」といった、地味ながら完成度の高いトラックが網羅されている。当時のお抱えエンジニアだったブルース・ボトニックがリマスターを担当。タイトルは彼らの名曲「ジ・エンド(The End)」の歌詞からの引用。

A very interesting double LP retrospective two years after Jim Morrison's version of the Doors had officially closed. Weird Scenes Inside the Goldmine contained the first album release of two B-sides, Willie Dixon's "(You Need Meat) Don't Go No Further," sung by Ray Manzarek, originally on the flip side of the 1971 45 "Love Her Madly," and the beautiful "Who Scared You," "Wishful Sinful"'s flip with Jim Morrison on vocals from a session in 1969. Both are worthwhile additions not found on their first "greatest hits" collection, 13. This compilation is a strange amalgam of their music, the LP title taken from a line in the song "The End," which concludes side two. Five of the 22 songs are from the L.A. Woman sessions, including the title track of that album and the full length "Riders on the Storm," both clocking in at seven-plus minutes. With "The End" and "When the Music's Over" at 11:35 and 11:00 respectively, that's 38 minutes and 38 seconds between four titles, more than a third of the 99-plus minutes of music on this collection. Nothing from Absolutely Live is included, and surprisingly, the classic "Waiting for the Sun" is not here, though that Morrison Hotel number would fit the mood perfectly. "Love Street," the flip of "Hello I Love You," is here, but pertinent singles like "Wishful Sinful" or "Do It" and its flip, "Runnin' Blue," from The Soft Parade, are all missing in action. The cover art pastiche by Bill Hoffman is worth the price of admission if you already have all this material, while the inside gatefold picture looks like an outtake from the first album. Bruce Harris' liner notes are truly the '60s merging with the '70s; he calls Jim Morrison "merely the index of our possibilities" and states that Morrison didn't want to be an idol "because he believed all idols were hollow." The essay is all the more silly when you realize it isn't tongue-in-cheek in the way Lou Reed's incoherent ramblings inside Metal Machine Music are more enjoyable than the disc. Harris seems to actually believe what he pontificates. But the music is awesome, so put it on and read the Metal Machine Music scribblings instead. Weird Scenes Inside the Goldmine is a work of art in the first order, the way the Beatles #1 album is wonderfully redundant, and it should see the light of day again. This time they could add "Tree Trunk," the flip of the "Get Up and Dance" 45 RPM from 1972's Full Circle album. ~ Joe Viglione|