| フォーマット | CDアルバム |
| 発売日 | 1989年11月09日 |
| 国内/輸入 | 輸入 |
| レーベル | TVT |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 2610 |
| SKU | 016581261020 |
構成数 : 1枚
合計収録時間 : 00:48:29
Nine Inch Nails: Trent Reznor (vocals, various instruments).
Additional personnel includes: Richard Patrick (guitar); Chris Vrenna (drums).
Personnel: Richard Patrick (guitar); Chris Vrenna , Flood , Trent Reznor (programming).
Audio Mixers: John Fryer; Adrian Sherwood; Keith LeBlanc; Trent Reznor.
Audio Remixer: Keith LeBlanc.
Liner Note Author: Gary Talpas.
Recording information: Blackwing Studios, London, England; Right Track, Cleveland, OH; Roadhouse, London, England; Syncro Sound Studios, Boston, MA; Unique Recording Studio, New York, NY.
Photographer: Jeffrey Silvertone.
Arranger: Trent Reznor.
Although Nine Inch Nails mastermind Trent Reznor became the poster boy for industrial rock in the early 1990s, his '89 debut, PRETTY HATE MACHINE, actually has a stronger foothold in '80s synth-pop. The guitar-heavy opener, "Head Like a Hole," is the most aggressive track on the album and proved to be the signature song for Reznor's initial breakthrough, but much of the disc sounds like Depeche Mode in a particularly bad mood.
All of the tracks on PRETTY HATE MACHINE are based on synthesizer lines and programmed beats, with other elements--such as the distinctive bass on "Sanctified" and sampled explosions on "That's What I Get"--filling out the sound. Despite Reznor's morose lyrics, a number of HATE MACHINE's finest moments are energetic dance tunes, particularly "Down in It" and the surging "Sin." Oddly enough, Reznor's fiercer--and seemingly less accessible--subsequent work (the BROKEN EP and THE DOWNWARD SPIRAL) led directly to his mainstream success, but PRETTY HATE MACHINE reveals where the Nine Inch Nails aesthetic started out.
録音 : ステレオ (Studio)
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