Rock/Pop
CDアルバム

Let It Be

3.0

販売価格

¥
2,290
税込
ポイント15%還元

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1992年07月28日
国内/輸入 輸入
レーベルMute Records
構成数 1
パッケージ仕様 -
規格品番 1344
SKU 724596134429

構成数 : 1枚
合計収録時間 : 00:42:11
All tracks are cover versions of songs from the Beatles' LET IT BE album. Probably the band's most famous release in the English-speaking world, Laibach's Let It Be -- unlike the Replacements' album -- didn't just name itself after the Beatles' swan song, it full-on covered every last bit of it, with the notable exception of the title track ("Maggie Mae" has a Slovenian folk tune substituted for it). Having spent some time beforehand drawing any number of parallels of right-wing extremism with their home country's government and the West alike, especially when it came to the resemblance of big rock concerts to totalitarian rallies, all Laibach had to do was tackle what they felt was the Beatles' worst album. In some respects, Let It Be wasn't that hard of an effort -- songs like "Get Back," "I Me Mine," and "One After 909" simply had to have the Laibach elements applied (growled vocals, martial drums, chanting choirs, overpowering orchestrations, insanely over-the-top guitar solos) to be turned into bizarre doppelgangers. The sheer creepiness of hearing such well-known songs transformed, though, is more than enough reason to listen in -- "Dig It" in particular becomes a full-on Third Reich chant, only to be trumped by the meta-metal fake-live recording blast of "I've Got a Feeling." In a more subtle way, "Across the Universe" easily trumps the original, only a female choir, harpsichord, and organ turning it into a disturbed anthem of acquiescence. Meanwhile, other efforts like "Two of Us" have a smooth, strong passion to their arrangements -- the sheer appeal of the commanding delivery in its own way helps explain the appeal of stage-managed demonstrations and performance. It's a joke endlessly folded in on itself, a killing joke and then some. Happily, it's just as funny as it is disturbing, and points for the hilariously unsettling cover art as well. ~ Ned Raggett
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Get Back

      アーティスト: Laibach

    2. 2.
      Two of Us

      アーティスト: Laibach

    3. 3.
      Dig a Pony

      アーティスト: Laibach

    4. 4.
      I Me Mine

      アーティスト: Laibach

    5. 5.
      Across the Universe

      アーティスト: Laibach

    6. 6.
      Dig It

      アーティスト: Laibach

    7. 7.
      I've Got a Feeling

      アーティスト: Laibach

    8. 8.
      The Long and Winding Road

      アーティスト: Laibach

    9. 9.
      One After 909

      アーティスト: Laibach

    10. 10.
      For You Blue

      アーティスト: Laibach

    11. 11.
      Maggie Mae

      アーティスト: Laibach

作品の情報

メイン
アーティスト: Laibach

商品の紹介

Probably the band's most famous release in the English-speaking world, Laibach's Let It Be -- unlike the Replacements' album -- didn't just name itself after the Beatles' swan song, it full-on covered every last bit of it, with the notable exception of the title track ("Maggie Mae" has a Slovenian folk tune substituted for it). Having spent some time beforehand drawing any number of parallels of right-wing extremism with their home country's government and the West alike, especially when it came to the resemblance of big rock concerts to totalitarian rallies, all Laibach had to do was tackle what they felt was the Beatles' worst album. In some respects, Let It Be wasn't that hard of an effort -- songs like "Get Back," "I Me Mine," and "One After 909" simply had to have the Laibach elements applied (growled vocals, martial drums, chanting choirs, overpowering orchestrations, insanely over-the-top guitar solos) to be turned into bizarre doppelgangers. The sheer creepiness of hearing such well-known songs transformed, though, is more than enough reason to listen in -- "Dig It" in particular becomes a full-on Third Reich chant, only to be trumped by the meta-metal fake-live recording blast of "I've Got a Feeling." In a more subtle way, "Across the Universe" easily trumps the original, only a female choir, harpsichord, and organ turning it into a disturbed anthem of acquiescence. Meanwhile, other efforts like "Two of Us" have a smooth, strong passion to their arrangements -- the sheer appeal of the commanding delivery in its own way helps explain the appeal of stage-managed demonstrations and performance. It's a joke endlessly folded in on itself, a killing joke and then some. Happily, it's just as funny as it is disturbing, and points for the hilariously unsettling cover art as well. ~ Ned Raggett
Rovi

メンバーズレビュー

1件のレビューがあります
3.0
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100%
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インダストリアル系(今のインダストリアルロック&メタルとは違うサウンド)のバンド、ライバッハがビートルズの中で唯一気に食わないというアルバム、レットイットビーのタイトル曲(嫌いらしい)以外を彼らがこうあるべきだと思うサウンドでカバーした代物。当時、友達に聴かせてもらったけど内容はそんなに良くなかった様な気がする…しかしライバッハは根強い人気があるらしい。僕はコレともう1枚を借りて聴いただけで好みじゃなかったのか印象は残ってない。確かクラシックの要素がある感じだったかな?
2007/01/07 QTAROさん
0

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