Man With the Fun

構成数 : 1
合計収録時間 : 00:58:25
Personnel includes: Maxi Priest, Shaggy, Buju Banton, Beres Hammond, Chaka Demus, Pliers (vocals); Rass Brass (horns); Handel Tucker (keyboards, programming); Joey Moskowitz (keyboards); Brian Gold, Tony Gold, Bunny Rugs, Cat Coore (background vocals); Robert Zapata, Anastey Hackette, Sting Int'l, Robert Livingston, Kent Bryan, Dennis Haliburton, Firehouse Crew, John Raf Allen, Simon Law, Ross Anderson. Producers: Robert Livingston, Shaun "Sting" Pizzonia (tracks 1-2, 5, 8, 10, 15); Andy Marvel (tracks 3, 11); Clive Hunt Productions Limited, Sly Dunbar, Robbie Shakespeare (track 4); Donovan Germain (track 6); Livingstone Brown, Gary Benson (track 7); Simon Law, Ross Anderson (track 9); Clive Hunt Productions Limited, Paul "Computer" Henton, Maxi Priest (track 12); Mafa, Fluxy (track 13); Handel Tucker (track 14). Engineers: Sting Int'l (track 1); Sting Int'l, Robert Livingston (track 2); Andy Marvel, Peter Ankelein (track 3); sly Dunbar, Robbie Shakespeare, Clive Hunt, Shane Brown, Lynford "Fatta" Marshall (track 4); Fat Head, Buru (track 5); Michael Cooper, George "Prendy" Prendergrast (track 6); Ben Jones (track 7); Lynford "Fatta" Marshall (track 8); Lee Hamblin (track 9); Dennis Halliburton, Robert Livingston (track 10); Andy Marvel, Peter Ankelein, Scott Hollingsworth (track 11); Michael "Coolie" Cooper, George "Prendy" Prendergrast (track 13); Mike Rew, Chris Barnett (track 14). MAN WITH THE FUN was nominated for a 1997 Grammy Award for Best Reggae Album. In the grand tradition of modern pop music, MAN WITH THE FUN is something of a mongrel child of pop, rock, R&B, dancehall and roots reggae that isn't quite any of the above. The infectious opening cut, "That Girl, catapults a sample from the Booker T & The MG's' classic "Green Onions" into a new context (one that allows for some toasting by dancehall sensation Shaggy). In an act of cultural ping-pong, Priest covers the Police chestnut "Message in a Bottle." The Police took reggae and Anglicized it; Priest takes the Police and reggaefies them. Priest displays a strong R&B influence on "Golden Teardrops," neatly contextualizing the American soul sensibility that colors much of MAN WITH THE FUN. In the midst of all this genre-hopping, the unifying elements of the album are Priest's smooth, assured vocal style and the bright, upbeat feeling that is ubiquitous enough to be considered thematic. In short, this album's title turns out to be quite an accurate moniker. Personnel: Maxi Priest (vocals); Pliers ( Everton Bonner), Beres Hammond, Buju Banton, Chaka Demus (vocals); Rass Brass (horns); Handel Tucker (keyboards, programming); Joey Moskowitz (keyboards); Clive "Azul" Hunt, Shane Brown, Tony Gold, Brian & Tony Gold, Bunny Rugs, Cat Coore (background vocals). Audio Mixers: Fatta Marshall; Dennis Halliburton; Simon "The Funky Ginger" Law; Charles "Prince Charles" Alexander ; Hugo Dwyer; Ross Anderson; Bonzai Jim Caruso; Livingstone Brown; Andy Marvel; Robert Livingston; Gary Benson. Audio Remixer: David Morales . Recording information: 222 Studios; Axis Recording Studios; Backroom; Electric Lady Studios, New York, NY; Gallery Studios; HC&F Recording; MIxing Lab; Mystic Recording Studios; Penthouse Recording; Quad Recording Studio; Rooster Stud; Westside. Photographer: Hideo Oida. Unknown Contributor Roles: Paul Crosdale; George "Dusty" Miller ; Dennis Jalliburton; Dennis Halliburton; John Raf Allen; The Firehouse Crew; Robert Zapata; Shaun Pizzonia; Pliers ( Everton Bonner); Robert Livingston; Shaggy ; Beres Hammond; Kent Bryan; Buju Banton; Chaka Demus. Arrangers: Handel Tucker; Andy Marvel. Showcasing Maxi Priest's talent for shaping reggae, dancehall, and soul into a distinctly pop-oriented and commercial amalgam, Man with the Fun happens to be one of Priest's better efforts, simply because the quality of the production and songwriting is uniformly first-rate throughout the record. Of course, there are quite a few mediocre tracks, but the smooth sounds of Pr
録音 : ステレオ (Studio)