Rock/Pop
CDアルバム

Abacab [Gold Disc]

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販売価格

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3,446
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廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1994年06月07日
国内/輸入 輸入
レーベルAtlantic Gold Discs
構成数 1
パッケージ仕様 -
規格品番 82521
SKU 075678252129

構成数 : 1枚
合計収録時間 : 00:46:41
Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Tony Banks (keyboards). Recorded at the Farm, Surrey, England. Digitally remastered by Nick Davis, Geoff Callingham & Chris Blair. Atlantic's Gold Standard Audiophile Compact Discs are gold-plated CDs that boast 20-bit digital reproduction technology for improved sonic dynamics. Each re-issue comes in a specially designed mini-box which includes the jewel CD box plus a 24 page color booklet featuring new liner notes, photographs, and the complete original album artwork. Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar); Tony Banks (keyboards). Genesis (UK): Phil Collins (vocals, drums); Mike Rutherford (guitar, bass guitar); Tony Banks (keyboards). Additional personnel: EWF Horns. At the dawn of the '80s, many '70s prog-rockers (Yes, Rush, etc.) trimmed away the musical fat in an attempt to keep current. Genesis's sonic reduction was an unprecedented aesthetic and commercial success. Though traditionalists cried foul, ABACAB was in fact more inventive and memorable than its comparatively leaden predecessor DUKE. The R&B rhythms and punchy Earth, Wind & Fire horns on "No Reply At All" foreshadow Phil Collins's more commercial solo career, but the track breathes with an undeniable vitality. The symphonic grandeur of old is gone, replaced by a sparser, more rhythm-oriented style. In this manner, each individual part of the arrangements receives greater focus and import. As always, there are some agreeably unusual song subjects, such as the alien abduction of "Keep It Dark." "Whodunnit" sounds more like Devo than like Gentle Giant, but the skewed melodic sensibility is a link to Genesis's Gabriel-era glory days. Utilizing simpler melodies and more syncopated rhythms ("Me and Sarah Jane" even sports a reggae feel), ABACAB simultaneously simplifies and expands the Genesis sound.
エディション : Gold Disc
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Abacab

      アーティスト: Genesis

    2. 2.
      No Reply at All

      アーティスト: Genesis

    3. 3.
      Me and Sarah Jane

      アーティスト: Genesis

    4. 4.
      Keep It Dark

      アーティスト: Genesis

    5. 5.
      Dodo/Lurker

      アーティスト: Genesis

    6. 6.
      Who Dunnit?

      アーティスト: Genesis

    7. 7.
      Man on the Corner

      アーティスト: Genesis

    8. 8.
      Like It or Not

      アーティスト: Genesis

    9. 9.
      Another Record

      アーティスト: Genesis

作品の情報

メイン
アーティスト: Genesis
プロデューサー: Genesis

その他
エンジニア: Hugh Padgham

オリジナル発売日:1981年

商品の紹介

Q (11/96, p.64) - 3 Stars - Good - "...A step by step guide to acquiring heavy rotation on US radio..." CMJ (1/5/04, p.10) - Ranked #14 in CMJ's "Top 20 Most-Played Albums of 1982". Mojo (Publisher) (3/01, p.82) - "...The band streamline their sound for the most direct, commercial set so far in their career...The title track features the horn section from Earth, Wind & Fire..."
Rovi

Duke showcased a new Genesis -- a sleek, hard, stylish trio that truly sounded like a different band from its first incarnation -- but Abacab was where this new incarnation of the band came into its own. Working with producer Hugh Padgham, the group escalated the innovations of Duke, increasing the pop hooks, working them seamlessly into the artiest rock here. And even if the brash, glorious pop of "No Reply at All" -- powered by the percolating horns of Earth, Wind & Fire, yet polished into a precise piece of nearly new wave pop by Padgham -- suggests otherwise, this is still art rock at its core, or at least album-oriented rock, as the band works serious syncopations and instrumental forays into a sound that's as bright, bold, and jagged as the modernist artwork on the cover. They dabble in other genres, lacing "Me and Sarah Jane" with a reggae beat, for instance, which often adds dimension to their sound, as when "Dodo" rides a hard funk beat and greasy organ synths yet doesn't become obvious; it turns inward, requiring active listening. Truly, only "No Reply at All," the rampaging title track (possibly their hardest-rocking song to date), and the sleek and spooky "Man on the Corner" (which hides a real melancholy heart underneath its glistening surface) are immediate and accessible -- although the Mockney jokes of "Who Dunnit?" could count, it's too much of a geeky novelty to be pop. The rest of Abacab is truly modern art rock, their last album that could bear that tag comfortably. ~ Stephen Thomas Erlewine
Rovi

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