Rock/Pop
CDアルバム

Don't Point Your Finger (Re-Presents)

0.0

販売価格

¥
4,690
税込
ポイント15%還元

在庫状況 について

フォーマット CDアルバム
発売日 2014年02月28日
国内/輸入 輸入
レーベルA&M
構成数 2
パッケージ仕様 -
規格品番 3772214
SKU 602537722143

構成数 : 2枚
合計収録時間 : 00:00:00
For many discerning fans, Nine Below Zero far outpaced the Jam wannabes that doomed Britain's so-called mod revival era. They even opened for the Who, whose favorite producer, Glyn Johns, oversaw this second A&M album. (Like other 1979-era revivalist bands, the group has re-formed on an intermittent basis.) Nine Below Zero show themselves as sharp players with plenty of hooks up their sleeves. Stix Burkey and Peter Clark whack out a disciplined rhythm attack without fussiness or flourishes, leaving the interplay to singer/harpist Mark Feltham and the main songwriter, lead guitarist Dennis "The Menace" Greaves. Greaves' tunes successfully execute '60s R&B toughness, yet are updated enough to grace a teen scooter fanatic's good books. "One Way Street" is a punchy, doing-it-my-way anthem ("They told me to go by the book/But look at the time that it took"), while the roughhouse R&B of the title track and "Treat Her Right" come across like a speedier Yardbirds. The feel's that close, but Greaves and cohorts have the skill to pull it off. The group expresses their bluesier side on "Ain't Comin' Back" and the slow-burning "Sugar Mama," and also dips back into '50s-style roots rave-ups with a credible cover of "Rockin' Robin." "Helen"'s trebly poppiness offers another nice diversion, being a working stiff's plea to his anxious wife ("You're the one I'm thinking of/When I come home late from my job"). An unpretentious sense of humor also makes itself heard on the title track and "Liquor Lover," which chides a girlfriend who's too fond of the fizzy stuff (which is reminiscent of how Rockpile sent up overeating on their own "Knife and Fork"). Greaves' quest for authenticity occasionally falls flat; "Three Times Enough" is as barely disguised a rewrite of "The Train Kept a-Rollin'" as you'll ever hear. However, the group's enthusiasm is contagious in all the right places, as typified by its anthemic closer, "You Can't Please All the People All the Time." Don't let the revivalist tag stop you from putting this album in your collection. ~ Ralph Heibutzki

  1. 1.[CDアルバム]
    1. 1.
      One Way Street

      アーティスト: Nine Below Zero

    2. 2.
      Doghouse

      アーティスト: Nine Below Zero

    3. 3.
      Liquor Lover

      アーティスト: Nine Below Zero

    4. 4.
      Helen

      アーティスト: Nine Below Zero

    5. 5.
      Ain't Comin' Back

      アーティスト: Nine Below Zero

    6. 6.
      I Won't Lie

      アーティスト: Nine Below Zero

    7. 7.
      Treat Her Right

      アーティスト: Nine Below Zero

    8. 8.
      Three Times Enough

      アーティスト: Nine Below Zero

    9. 9.
      Sugar Mama

      アーティスト: Nine Below Zero

    10. 10.
      Don't Point Your Finger At The Guitar Man

      アーティスト: Nine Below Zero

    11. 11.
      Rockin' Robin

      アーティスト: Nine Below Zero

    12. 12.
      You Can't Please All The People All The Time

      アーティスト: Nine Below Zero

  2. 2.[CDアルバム] BBC Session "In Concert" recorded 24th October 1981 at The Granary in Bristol
    1. 1.
      Don't Point Your Finger

      アーティスト: Nine Below Zero

    2. 2.
      True Love Is a Crime

      アーティスト: Nine Below Zero

    3. 3.
      Three Times Enough

      アーティスト: Nine Below Zero

    4. 4.
      Ridin' On The L & N

      アーティスト: Nine Below Zero

    5. 5.
      Treat Her Right

      アーティスト: Nine Below Zero

    6. 6.
      Helen

      アーティスト: Nine Below Zero

    7. 7.
      Eleven Plus Eleven

      アーティスト: Nine Below Zero

    8. 8.
      I Can't Quit You Baby

      アーティスト: Nine Below Zero

    9. 9.
      Rockin' Robin

      アーティスト: Nine Below Zero

    10. 10.
      Sugar Beat

      アーティスト: Nine Below Zero

    11. 11.
      Homework

      アーティスト: Nine Below Zero

    12. 12.
      I Can't Help Myself

      アーティスト: Nine Below Zero

    13. 13.
      Why Don't You Try Me Tonight

      アーティスト: Nine Below Zero

    14. 14.
      You Can't Please All the People

      アーティスト: Nine Below Zero

    15. 15.
      Pack, Fair & Square (Encore)

      アーティスト: Nine Below Zero

    16. 16.
      One Way Street (Encore)

      アーティスト: Nine Below Zero

作品の情報

メイン
アーティスト: Nine Below Zero

オリジナル発売日:1981年

商品の紹介

NINE BELOW ZERO、35周年記念企画!オリジナルは1981年発売で、彼らのセカンド・アルバム。ディスク1は最新デジタル・リマスタリング。ディスク2には、1981年ブリストルでBBCのために収録されたライヴを収録。
発売・販売元 提供資料(2014/02/06)

For many discerning fans, Nine Below Zero far outpaced the Jam wannabes that doomed Britain's so-called mod revival era. They even opened for the Who, whose favorite producer, Glyn Johns, oversaw this second A&M album. (Like other 1979-era revivalist bands, the group has re-formed on an intermittent basis.) Nine Below Zero show themselves as sharp players with plenty of hooks up their sleeves. Stix Burkey and Peter Clark whack out a disciplined rhythm attack without fussiness or flourishes, leaving the interplay to singer/harpist Mark Feltham and the main songwriter, lead guitarist Dennis "The Menace" Greaves. Greaves' tunes successfully execute '60s R&B toughness, yet are updated enough to grace a teen scooter fanatic's good books. "One Way Street" is a punchy, doing-it-my-way anthem ("They told me to go by the book/But look at the time that it took"), while the roughhouse R&B of the title track and "Treat Her Right" come across like a speedier Yardbirds. The feel's that close, but Greaves and cohorts have the skill to pull it off. The group expresses their bluesier side on "Ain't Comin' Back" and the slow-burning "Sugar Mama," and also dips back into '50s-style roots rave-ups with a credible cover of "Rockin' Robin." "Helen"'s trebly poppiness offers another nice diversion, being a working stiff's plea to his anxious wife ("You're the one I'm thinking of/When I come home late from my job"). An unpretentious sense of humor also makes itself heard on the title track and "Liquor Lover," which chides a girlfriend who's too fond of the fizzy stuff (which is reminiscent of how Rockpile sent up overeating on their own "Knife and Fork"). Greaves' quest for authenticity occasionally falls flat; "Three Times Enough" is as barely disguised a rewrite of "The Train Kept a-Rollin'" as you'll ever hear. However, the group's enthusiasm is contagious in all the right places, as typified by its anthemic closer, "You Can't Please All the People All the Time." Don't let the revivalist tag stop you from putting this album in your collection. ~ Ralph Heibutzki|
Rovi

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