Amores Perros

構成数 : 2
合計収録時間 : 01:41:39
Original score composed by Gustavo Santaolalla. Personnel includes: Gustavo Santaolalla (guitar, violin, percussion); Javier Casalla (violin). Personnel: Gustavo Santaolalla (guitar, violin, harmonica, percussion); Julieta Venegas (vocals, guitar, accordion, drums); Cristian Fiebre, Dante (vocals, guitar, programming); Emmanuel del Real (vocals, acoustic guitar, drums, percussion, programming); Joselo (vocals, electric guitar); Elizabeth Guerra (vocals); Camillo Bianchi, Camillo (guitar); "El Queso" (berimbau); Javier Casalla (violin); Eugenio Elias (trumpet); Nicholas Santella (Fender Rhodes piano); Bavasso (synthesizer); Gabriel Puentes (drums, percussion); Hernan Hecht (drums); El Turko Mokda (congas, cowbells); Eder de la Rosa (pandeiro, shaker, tambourine); Juan Carlos del Aguila Cortez (timbales); Montserrat Ravah (percussion); Anibal Kerpel (programming); Ralph M. (scratches). Audio Mixers: Gustavo Santaolalla; Anibal Kerpel ; Antonio Hernandez; Carlos Arredondo; Joe Gicarelli; Roberto Collio; Richard Huredia; T-Ray; Barrett Jones; Jason Roberts . Recording information: Circo Beat; Cuarto De Control Estudios, Monterrey, Mexico; En Esayo, Satelite, Mexico; Estudio 19; Estudio Del Canal 58; Estudio Moenla; Estudios Panda, Buenos Aires, Argentina; Fuentes Guerra; La Bodega; La Diosa Salvaje; Sound Castle, Los Angeles, CA; Submarino Del Aire, Mexico D.F; The Lab, Los Angeles, CA. Arrangers: Alberto Menendez; I.K.V.; Quique; Julieta Venegas; Emmanuel del Real; Joselo Rangel. Argentine producer/musician Gustavo Santaolalla has compiled a soundtrack that's almost as groundbreaking as Mexican director Alejandro Gonzalez Inarritu's remarkable debut, Amores Perros. The Oscar-nominated film has been compared to the work of Quentin Tarantino, Krzysztof Kieslowski, and Luis Bunuel. Just as Inarritu, a former DJ, has smoothly woven together three seemingly disparate stories of passion, desperation, violence -- and dogs -- in contemporary Mexico City, Santaolalla has smoothly woven together pop, rap, techno, and other styles of music from an array of international talent (including legendary Cuban vocalist Celia Cruz) into a surprisingly cohesive whole, which, like the movie, is possibly longer than necessary -- but never boring. Most of the selections are performed in Spanish, with the exception of Santaolalla's gentle guitar-based instrumental interludes, British band Hollies' 1971 hit "Long Cool Woman (In a Black Dress)," and Spanish rock group Dover's "Love Is a Bitch" (a loose translation of the film's title). Highlights include Control Machete's funky "Si Senor" and Titan's catchy, Michael Franti-produced "Corazon," with the repeated (Carole King-credited) lyrics "yo te quiero/mi corazon" set to a sample-heavy beat (like Inarritu, both groups hail from Mexico). Disc one features music from the film, whereas disc two features music inspired by it (and includes a few of the same artists). If the first is more successful, the second works better than the concept might indicate -- most of the pieces specifically refer to dogs, include samples of barking, etc. -- and represents an even wider variety of modern Latin musical styles. ~ Kathleen C. Fennessy
録音 : ステレオ (Studio)