Rock/Pop
CDアルバム

Play All Night: Live at The Beacon Theater 1992

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2,690
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フォーマット CDアルバム
発売日 2014年02月18日
国内/輸入 輸入(アメリカ盤)
レーベルEpic/Legacy
構成数 2
パッケージ仕様 -
規格品番 88691914422
SKU 886919144222

構成数 : 2枚
合計収録時間 : 02:19:32
Personnel: Dickey Betts (vocals, guitar, acoustic guitar, acoustic slide guitar); Gregg Allman (vocals, acoustic guitar, piano, Hammond b-3 organ); Warren Haynes (guitar, acoustic guitar, slide guitar, background vocals); Thom Doucette (harmonica); Allen Woody (acoustic bass, fretless bass, background vocals); Butch Trucks (drums, timpani, background vocals); Jaimoe (drums, background vocals); Marc Quinones (congas, percussion). Audio Mixer: Chris Shaw . Liner Note Author: John Lynskey. Recording information: The Beacon Theatre, New York, NY (03/10/1992-03/11/1992). Photographer: Kirk West. If truth be told, the Allman Brothers Band have always been the quintessential American rock band, shaping a rootsy mix of blues, jazz, country, and rock into an elegant, nuanced sound that single-handedly created what became known as Southern rock. Full of beautiful dual guitar leads and driven by double drummers, and possessing a lead singer who, when he was on his game, had as much soul as anyone around, the Allman Brothers Band were also an improvisational band who found all kinds of new corners in their classic catalog when they played live, no matter what the configuration of the band was at the time. It's no coincidence that the group's first live album, 1971's landmark At Fillmore East, was the one that broke them commercially, because it showed this always impressive band in its natural habitat. So why does the world need another live Allman Brothers Band release? There have been several already since At Fillmore East, and most feature the same classic songs from the band's early legacy. The show's the same, or at least most of the set list is. But the world can always use another live Allman Brothers Band release -- perhaps it helps to think of this band in the same way one looks at the various classic quartets and quintets of jazz artists like Miles Davis or John Coltrane. It's the songs, yeah, but it's also who's playing those songs, and all the little improv twists and turns that come with that. This live set was drawn from two shows of a ten-show run the Allman Brothers Band did at New York's Beacon Theatre in March of 1992, and it was with one of the best versions of the post-Duane Allman band in the middle of a triumphant and revitalizing tour, featuring the guitars of Dickey Betts and Warren Haynes, Butch Trucks and Jaimoe on drums, percussionist Marc Quinones, Allen Woody on bass, and a nightmare-is-over Gregg Allman singing and playing organ like his old self. The catalog gems are here, from "Statesboro Blues" through "Blue Sky," "Midnight Rider," "Jessica," "In Memory of Elizabeth Reed," and "Whipping Post," and the band performs them like they're all brand-new, with spirit, precision, grace, elegance, and grit. One could argue that America has never produced a better live rock band, and that they've been that through all kinds of tragedy, upheaval, and personnel configurations is nothing short of amazing. The more live Allman Brothers Band shows we get to enjoy in this world, the better. It's that simple. ~ Steve Leggett

  1. 1.[CDアルバム] DISC 1:
    1. 1.
      Statesboro Blues
    2. 2.
      You Don't Love Me
    3. 3.
      End of the Line
    4. 4.
      Blue Sky
    5. 5.
      Nobody Knows
    6. 6.
      Low Down Dirty Mean
    7. 7.
      Seven Turns
    8. 8.
      Midnight Rider
    9. 9.
      Come on in My Kitchen
  2. 2.[CDアルバム] DISC 2:
    1. 1.
      Guitar Intro/Hoochie Coochie Man
    2. 2.
      Jessica
    3. 3.
      Get on with Your Life
    4. 4.
      In Memory of Elizabeth Reed
    5. 5.
      Revival
    6. 6.
      Dreams
    7. 7.
      Whipping Post

作品の情報

メイン
アーティスト: The Allman Brothers Band

その他
エンジニア: David HewittDave RobertsJay MarkPhil Gitomer
プロデューサー: Tom DowdWarren Haynes

商品の紹介

結成20周年を迎えた89年に2度目の再結成を果たし(G:ウォーレン・ヘインズ、B:アレン・ウッディ加入)、心機一転EPICに移籍した時期の貴重なライヴである。このN.Yのブロードウェイにある由緒ある劇場“ビーコン・シアター”(アメリカ国家歴史登録財に認定)での10日間公演は、ここ22年間、バンドとファンにとって毎年恒例のビッグ・イヴェント週間となっており、すでに200回以上ここでライヴを行なっている特別な場所。92年はオールマンが初めてビーコンでのロングラン公演を行なった年であり、強力なG/Voウォーレン・ヘインズを迎えた“新生オールマン”の記念すべき、そしてファン待望の最初期ビーコン・シアター・ライヴである。
発売・販売元 提供資料(2014/01/16)

If truth be told, the Allman Brothers Band have always been the quintessential American rock band, shaping a rootsy mix of blues, jazz, country, and rock into an elegant, nuanced sound that single-handedly created what became known as Southern rock. Full of beautiful dual guitar leads and driven by double drummers, and possessing a lead singer who, when he was on his game, had as much soul as anyone around, the Allman Brothers Band were also an improvisational band who found all kinds of new corners in their classic catalog when they played live, no matter what the configuration of the band was at the time. It's no coincidence that the group's first live album, 1971's landmark At Fillmore East, was the one that broke them commercially, because it showed this always impressive band in its natural habitat. So why does the world need another live Allman Brothers Band release? There have been several already since At Fillmore East, and most feature the same classic songs from the band's early legacy. The show's the same, or at least most of the set list is. But the world can always use another live Allman Brothers Band release -- perhaps it helps to think of this band in the same way one looks at the various classic quartets and quintets of jazz artists like Miles Davis or John Coltrane. It's the songs, yeah, but it's also who's playing those songs, and all the little improv twists and turns that come with that. This live set was drawn from two shows of a ten-show run the Allman Brothers Band did at New York's Beacon Theatre in March of 1992, and it was with one of the best versions of the post-Duane Allman band in the middle of a triumphant and revitalizing tour, featuring the guitars of Dickey Betts and Warren Haynes, Butch Trucks and Jaimoe on drums, percussionist Marc Quinones, Allen Woody on bass, and a nightmare-is-over Gregg Allman singing and playing organ like his old self. The catalog gems are here, from "Statesboro Blues" through "Blue Sky," "Midnight Rider," "Jessica," "In Memory of Elizabeth Reed," and "Whipping Post," and the band performs them like they're all brand-new, with spirit, precision, grace, elegance, and grit. One could argue that America has never produced a better live rock band, and that they've been that through all kinds of tragedy, upheaval, and personnel configurations is nothing short of amazing. The more live Allman Brothers Band shows we get to enjoy in this world, the better. It's that simple. ~ Steve Leggett
Rovi

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