Jazz
CDアルバム

Ma L'Amore No

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2,690
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フォーマット CDアルバム
発売日 2009年08月20日
国内/輸入 輸入
レーベルSoul Note (Italy)
構成数 1
パッケージ仕様 -
規格品番 121321
SKU 027312132120

構成数 : 1枚
合計収録時間 : 01:01:41
Personnel: Ada Montellanico (vocals); Lee Konitz (alto saxophone); Enrico Rava (flugelhorn); Enrico Pieranunzi (piano); Piero Leveratto (bass); Mauro Beggio (drums). Recorded at Mu Rec Studio, Milan, Italy from February 16 & 17, 1997. Includes liner notes by Adriano Mazzoletti, Salvatore G. Biamonte & Enrico Pieranunzi. Personnel: Ada Montellanico (vocals); Enrico Rava (flugelhorn); Enrico Pieranunzi (piano); Mauro Beggio (drums). Recording information: Mu Rec Studios, Milan, Italy (02/16/1997/02/17/1997). Photographer: Adam Maffei. Arranger: Enrico Pieranunzi. This CD looks promising at first. A trio led by one of Europe's finest jazz pianists, Enrico Pieranunzi, occasional guest appearances by alto saxophonist Lee Konitz or fluegelhornist Enrico Rava, and a young Italian singer, Ada Monellanico. Piernanunzi's arrangements are consistently swinging, the musicians wail, and Monellanico has a strong, attractive voice on the seven tracks sung in Italian, even scatting an arco bass-like line in unison with her pianist on "Amore Fermati." The funky "Ma L'amore No" sounds like a New Orleans street parade, and she delivers a powerful vocal, backed by Rava's fine solo. The scatted introduction in unison with Pieranunzi's lively piano in the medley of "If You Turn Away" and "Who Can I Turn To?" is enjoyable, with a brief effective solo by Konitz, though the singer starts tripping up on words like "destiny." But her shortcomings on the remaining tracks sung in English are considerable, due either to her lack of familiarity with the language or an unwillingness to work hard enough to make herself clearly understood. "Fascinating Rhythm" starts out well enough, but there are a few more areas of sloppy enunciation. Pieranunzi's approach to "But Not for Me" is very unusual, with a repetitious bass vamp, but the hypnotic spell is broken by Montellanico's erratic enunciation. The Beatles' "The Fool on the Hill" is an inspired choice, but her repeated butchering of its words make painful to listen to. This inability to learn to pronounce English words correctly lowers the value of this otherwise impressive release by Ada Montellanico. ~ Ken Dryden
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Amore Fermati
    2. 2.
      Fascinating Rhythm
    3. 3.
      Ma l'Amore No
    4. 4.
      Averti Tra le Braccia
    5. 5.
      Non Dimenticar le Mie Parole
    6. 6.
      If You Turn Away/Who Can I Turn To?
    7. 7.
      Le Tue Mani
    8. 8.
      Amore Baciami
    9. 9.
      But Not for Me
    10. 10.
      The Fool on the Hill
    11. 11.
      Averti Tra le Braccia

作品の情報

メイン
アーティスト: Enrico PieranunziAda Montellanico

その他
エンジニア: Paolo Falascone
アーティスト: Lee Konitz/Enrico Rava
プロデューサー: Flavio Bonandrini

商品の紹介

This CD looks promising at first. A trio led by one of Europe's finest jazz pianists, Enrico Pieranunzi, occasional guest appearances by alto saxophonist Lee Konitz or fluegelhornist Enrico Rava, and a young Italian singer, Ada Monellanico. Piernanunzi's arrangements are consistently swinging, the musicians wail, and Monellanico has a strong, attractive voice on the seven tracks sung in Italian, even scatting an arco bass-like line in unison with her pianist on "Amore Fermati." The funky "Ma L'amore No" sounds like a New Orleans street parade, and she delivers a powerful vocal, backed by Rava's fine solo. The scatted introduction in unison with Pieranunzi's lively piano in the medley of "If You Turn Away" and "Who Can I Turn To?" is enjoyable, with a brief effective solo by Konitz, though the singer starts tripping up on words like "destiny." But her shortcomings on the remaining tracks sung in English are considerable, due either to her lack of familiarity with the language or an unwillingness to work hard enough to make herself clearly understood. "Fascinating Rhythm" starts out well enough, but there are a few more areas of sloppy enunciation. Pieranunzi's approach to "But Not for Me" is very unusual, with a repetitious bass vamp, but the hypnotic spell is broken by Montellanico's erratic enunciation. The Beatles' "The Fool on the Hill" is an inspired choice, but her repeated butchering of its words make painful to listen to. This inability to learn to pronounce English words correctly lowers the value of this otherwise impressive release by Ada Montellanico. ~ Ken Dryden
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