Get On The Good Foot

構成数 : 1枚
合計収録時間 : 01:09:59
Personnel includes: James Brown (vocals, organ); Hank Ballard (vocals); Sam Brown (acoustic guitar); Bobby Roach, Cheese Martin, Catfish Collins, David Spinozza, Hugh McCracken, Jimmy Nolen, Robert Coleman (guitar); Jimmy Parker (alto saxophone); St. Clair Pickney, Joe Farrell, Maceo Parker, Michael Brecker (tenor saxophone); Russell Crimes, Ike Oakley, Randy Brecker, Jon Faddis, Jasan Sanford (trumpet); Fred Wesley (trombone); Bobby Byrd (organ, background vocals); Fred Thomas, Bootsy Collins, Michael Moore, Gordon Edwards (bass); Jabbo Starks, Clyde Stubblefield, Bernard Purdie, Jimmy Madison (drums); Jimmy Griggs (congas); Hal Neely, Lois Wong, Danny Ray, Martha Harvin (background vocals). Principally recorded at A&R Studios, New York, New York between 1969 and 1972. Originally released as Polydor (3004). Includes liner notes by Harry Weinger. Digitally remastered by Gary Mayo (PolyGram Studios). Personnel: James Brown (vocals, organ); Bobby Byrd (vocals, organ); Hank Ballard (vocals); Robert Coleman , Bobby Roach, Hearlon "Cheese" Martin, Jimmy Nolen, Joe Beck , Arthur Adams (guitar); Sam T. Brown (acoustic guitar); Hugh McCracken (electric guitar); Jim Parker (alto saxophone); Joe Farrell, Maceo Parker, Michael Brecker, St. Clair Pinckney (tenor saxophone); Conte Candoli, Russell Crimes, Alan Direnzo, Isiah "Ike" Oakley, Jerone "Jasaan Sanford" Melson, D.A. Brisbois, Jon Faddis, Randy Brecker, Paul Hubinon (trumpet); William Hinshaw (French horn); Fred Wesley, Dick Leith (trombone); James Vaughn (piano); Don Randi (organ); James Madison , Ben Barrett, John Starks, Bernard "Pretty" Purdie (drums); Johnny Griggs (congas); Martha Harvin, Danny Ray (background vocals). Audio Remasterer: Gary N. Mayo. Liner Note Author: Harry Weinger. Photographer: James Spencer. Unknown Contributor Roles: David Matthews ; Alan Leeds; Bob Both. Arrangers: Fred Wesley; Hidle Brown Barnum; James Brown ; Sam Lowe. In an era when Brown went on to make three studio doubles, Get on the Good Foot was the first. This 1972 album finds Brown having great chemistry with both his newer J.B.'s and the New York session players. The title track is particularly stunning. "Get on the Good Foot" was so off-the-cuff and nonpareil, he couldn't have replicated the formula even if he wanted to. "I Got a Bag of My Own," on the other hand, sounds forced and synthetic. Although Brown was known for his new product, this album has him recycling some of his King singles. Doing so-so remakes of "Cold Sweat" and "Ain't It a Groove" could be taken as an attempt to ease some of his old catalog into his new label. Not surprisingly, Get on the Good Foot does have its share of throwaway cuts. "Recitation by Hank Ballard" is a spoken-word effort with Ballard extolling his buddy's virtues, as well as giving unsolicited advice about the perils of show biz. "Dirty Harri," a lukewarm instrumental, goes nowhere fast for all of its six-plus minutes. Although Get on the Good Foot only managed to yield two hits, the album is one of his more varied and fun efforts. ~ Jason Elias
録音 : ステレオ (Studio)