販売価格
販売中
お取り寄せお取り寄せの商品となります
入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。
| フォーマット | CDアルバム |
| 発売日 | 2014年01月18日 |
| 国内/輸入 | 輸入(アメリカ盤) |
| レーベル | FTG Records |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | FTG255 |
| SKU | 810736020599 |
構成数 : 1枚
合計収録時間 : 01:07:11
Personnel: Nona Hendryx (piano, synthesizer, drum machine, cowbells, background vocals); Ed Stacium (guitar, tambourine); Stuart Kimball (guitar, background vocals); Eddie Martinez, Ira Siegel, Keith Richards, Jean Bouvoir, Michael Gregory Jackson, Ronnie Drayton (guitar); Jeff Smith , Lenny Pickett , Steve Elson, Stan Harrison (saxophone); Mac Gollehon, Mark Pender (trumpet); Jean Beauvoir (synthesizer, background vocals); Jeff Bova, Bernie Worrell (synthesizer); Doug Wimbish, Shaun Solomon, Bernard Edwards (bass guitar); Trevor Gale (drums); Bashiri Johnson (drum machine, tambourine, percussion); Jimmy Bralower, Arthur Baker (drum machine); Curtis King, Phil Ballou, Tina B, Fonzi Thornton, Cookie Watkins, Lotti Golden, Hugo Burnham, Beardo, Dennis Collins , Vanessa Cole Burnham, Sarah Dash, B.J. Nelson, Will Downing, Benny Diggs, Charlie Farren (background vocals).
Audio Mixers: Arthur Baker ; Nona Hendryx.
Liner Note Author: Christian John Wikane.
Recording information: Power Station; Right Track; RPM Studios, NY; Shakedown; Unique.
Photographer: Brian Hagawara.
After Labelle's breakup in early 1977, Patti LaBelle, Nona Hendryx, and Sarah Dash took very different paths as solo artists. LaBelle became a middle of the road urban/adult contemporary superstar, Dash recorded the occasional R&B album with little commercial success, and Hendryx favored rock-minded albums that came the closest to Labelle's free-spirited wildness. Hendryx's solo career started out on a hard rock note with her self-titled debut album of 1977, but she took a more new wave-influenced turn in the '80s, and 1985's The Heat brings together rock and synth funk with memorable results. The Heat is quite a contrast to the solo albums that Patti LaBelle was offering in the mid-'80s; LaBelle and Hendryx both had crossover appeal, but while LaBelle was going after a combination of urban and adult contemporary fans, Hendryx was going after a combination of pop/rock, new wave/ and urban fans. The Heat, for all its funkiness, proved to be too rock-minded for R&B stations; regardless, Hendryx has a lot of fun on infectious offerings such as "A Girl Like That," "Rock This House," "I Need Love," and "Revolutionary Dance." Hendryx wrote or co-wrote everything on this album, including "If Looks Could Kill (D.O.A.)," which should not be confused with the song that both Heart and dance-pop singer Pamala Stanley recorded in the mid-'80s. The producers on The Heat include Hendryx, Arthur Baker, and the late Bernard Edwards, who co-led Chic with Nile Rodgers in the late '70s and early '80s. Edwards, like Rodgers, broadened his horizons considerably as a producer in the '80s; many of the albums Edwards worked on after Chic's breakup didn't sound anything like Chic, and that is certainly true of The Heat (which is a long way from Chic's influential disco-funk). Originally released on LP by RCA, The Heat was reissued as a 67-minute CD by Funky Town Grooves in 2011. And the Brooklyn-based label added three bonus tracks, including an extended version of "I Need Love" and a club mix of "If Looks Could Kill (D.O.A.)." The Heat is an exciting document of Hendryx in the mid-'80s. ~ Alex Henderson
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。