Rock/Pop
CDアルバム

Rembrandt Pussyhorse/Cream Corn From The...

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フォーマット CDアルバム
発売日 1993年07月15日
国内/輸入 輸入
レーベルTouch & Go
構成数 1
パッケージ仕様 -
規格品番 08
SKU 036172070824

構成数 : 1枚
合計収録時間 : 00:49:13
The CD version of REMBRANDT PUSSYHORSE also contains the CREAM CORN FROM THE SOCKET OF DAVIS EP. The cassette version contains only the REMBRANDT PUSSYHORSE LP. Everything seems to start almost normally on Pussyhorse with "Creep in the Cellar," even with the rather gone violin line -- Haynes is intelligible, the piano part is quiet serene. Then again, Haynes is talking about the creep in question doing things like taking off his skin, so clearly all is still at least somewhat tweaked in Surferland. The rest of the album makes that pretty clear; if not quite as strong as Psychic...Powerless, Pussyhorse is still a strong slice of homegrown art/psychedelia gone to a murky hell. Gentler songs like "Sea Ferring" still have a distinct queasiness to them, its sea chanty feeling undercut by the nagging bassline and Haynes' yelps. When the group goes totally nuts, as on a drum-blasting, squiggly voiced cover of the Guess Who's "American Woman" that makes the later Lenny Kravitz version seem like the redundant slice of nostalgia it is, no prisoners are taken. "Perry" is another definite nutter, with Haynes or somebody talking about this and that to his "baby" over a slow, organ-heavy groove. This said, the trick about Pussyhorse, and arguably why it's slightly lesser than Psychic...Powerless, is its overall subtlety in comparison. Things are more dark and gloomy throughout, downright gothic, even, with the organ start and whispery lyrics of "Strangers Die Everyday" being a good example. Leary keeps his playing low and strange throughout, fitting in with new bassist Pinkus rather well as a result. Get past the slight surprise of not always hearing the Surfers going near-all out most of the time, though, and Pussyhorse is still mighty fine, whether talking about the drony guitar weirdness opening "Whirling Hall of Knives" or the echo-treated reprise of "In the Cellar." CD versions of Pussyhorse conveniently include the Cream Corn From the Socket of Davis EP. ~ Ned Raggett
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Creep in the Cellar

      アーティスト: Butthole Surfers

    2. 2.
      Sea Ferring

      アーティスト: Butthole Surfers

    3. 3.
      American Women

      アーティスト: Butthole Surfers

    4. 4.
      Waiting For Jimmy to Kick

      アーティスト: Butthole Surfers

    5. 5.
      Strangers Die Everyday

      アーティスト: Butthole Surfers

    6. 6.
      Perry

      アーティスト: Butthole Surfers

    7. 7.
      Whirling Hall of Knives

      アーティスト: Butthole Surfers

    8. 8.
      Mark Says Alright

      アーティスト: Butthole Surfers

    9. 9.
      In the Cellar

      アーティスト: Butthole Surfers

    10. 10.
      Moving to Florida

      アーティスト: Butthole Surfers

    11. 11.
      Comb

      アーティスト: Butthole Surfers

    12. 12.
      To Parter

      アーティスト: Butthole Surfers

    13. 13.
      Toronados

      アーティスト: Butthole Surfers

作品の情報

メイン
アーティスト: Butthole Surfers

商品の紹介

Uncut (p.84) - 4 stars out of 5 -- "[T]reated violins, giddy piano rolls and wobbly guitar effects betrayed a frustration at the musical aridity of the era and a hunger for a new avant-rock."
Rovi

Everything seems to start almost normally on Pussyhorse with "Creep in the Cellar," even with the rather gone violin line -- Haynes is intelligible, the piano part is quiet serene. Then again, Haynes is talking about the creep in question doing things like taking off his skin, so clearly all is still at least somewhat tweaked in Surferland. The rest of the album makes that pretty clear; if not quite as strong as Psychic...Powerless, Pussyhorse is still a strong slice of homegrown art/psychedelia gone to a murky hell. Gentler songs like "Sea Ferring" still have a distinct queasiness to them, its sea chanty feeling undercut by the nagging bassline and Haynes' yelps. When the group goes totally nuts, as on a drum-blasting, squiggly voiced cover of the Guess Who's "American Woman" that makes the later Lenny Kravitz version seem like the redundant slice of nostalgia it is, no prisoners are taken. "Perry" is another definite nutter, with Haynes or somebody talking about this and that to his "baby" over a slow, organ-heavy groove. This said, the trick about Pussyhorse, and arguably why it's slightly lesser than Psychic...Powerless, is its overall subtlety in comparison. Things are more dark and gloomy throughout, downright gothic, even, with the organ start and whispery lyrics of "Strangers Die Everyday" being a good example. Leary keeps his playing low and strange throughout, fitting in with new bassist Pinkus rather well as a result. Get past the slight surprise of not always hearing the Surfers going near-all out most of the time, though, and Pussyhorse is still mighty fine, whether talking about the drony guitar weirdness opening "Whirling Hall of Knives" or the echo-treated reprise of "In the Cellar." CD versions of Pussyhorse conveniently include the Cream Corn From the Socket of Davis EP. ~ Ned Raggett
Rovi

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