Rock/Pop
CDアルバム

Still Within the Sound of My Voice

0.0

販売価格

¥
2,849
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2013年11月04日
国内/輸入 輸入
レーベルMembran
構成数 1
パッケージ仕様 -
規格品番 233795
SKU 885150337950

構成数 : 1枚
合計収録時間 : 00:00:00
Jimmy Webb almost single-handedly invented artful Americana with songs like "Wichita Lineman," "Galveston," and "By the Time I Get to Phoenix" (in retrospect, the so-called "towns" series), all AM radio hits for Glen Campbell in the late 1960s, and when Webb is at his best as a songwriter, his compositions perfectly capture the large spaces, deep isolation, desperate hopes, and quiet yearning of life in modern America, all done with grace and dignity. Although he has a serviceable voice, Webb's professional career has been as a songwriter, and while his own performances are usually intimate and affecting, he's generally relied on other singers to bring the best out in his songs. Working with producer Fred Molin in Nashville, surrounded by some of Nashville's best session players, and further aided by a host of famous guest singers, Webb released an album of duets, Just Across the River, in 2010, and this set again finds him working with Molin and those Nashville session players, and again aided by an illustrious list of guest singers, including, this time around, Lyle Lovett, Carly Simon, Keith Urban, David Crosby, and Art Garfunkel. among others. The result is a bookend to that 2010 release, with the same feel and makeup. Among the highlights this time out are a version of Webb's "Elvis and Me" featuring the Jordanaires, a fine take on "If These Walls Could Speak" with David Crosby and Graham Nash adding harmonies, a desolate "Rider from Nowhere" with members of America providing background vocals, and a striking rendition of "Honey Come Back" with Kris Kristofferson, whose mostly spoken word vocals crack and creak with a whiskey-tinged and worldweary gruffness that gives the song tremendous poignancy. A lot of attention will probably go to the version of Webb's mock epic "MacArthur Park" that's presented here, which finds Brian Wilson adding Beach Boys-styled vocals and atmospherics, and it's certainly interesting, but the song itself still sounds ponderous and bloated, and probably always will, no matter who sings it. ~ Steve Leggett

  1. 1.[CDアルバム]

作品の情報

メイン
アーティスト: Jimmy Webb

オリジナル発売日:2013年

商品の紹介

Rolling Stone - 4 stars out of 5 -- "Webb imbues his songs with a cinematic expansiveness and a musical sophistication that smooths the edges of his rootsy sources." Mojo - 3 stars out of 5 -- "[O]n Webb's wonderful, eloquently star-struck 'Elvis And Me,' we are party to the last recorded performance of Jordanaire Gordon Stoker..."
Rovi

Jimmy Webb almost single-handedly invented artful Americana with songs like "Wichita Lineman," "Galveston," and "By the Time I Get to Phoenix" (in retrospect, the so-called "towns" series), all AM radio hits for Glen Campbell in the late 1960s, and when Webb is at his best as a songwriter, his compositions perfectly capture the large spaces, deep isolation, desperate hopes, and quiet yearning of life in modern America, all done with grace and dignity. Although he has a serviceable voice, Webb's professional career has been as a songwriter, and while his own performances are usually intimate and affecting, he's generally relied on other singers to bring the best out in his songs. Working with producer Fred Molin in Nashville, surrounded by some of Nashville's best session players, and further aided by a host of famous guest singers, Webb released an album of duets, Just Across the River, in 2010, and this set again finds him working with Molin and those Nashville session players, and again aided by an illustrious list of guest singers, including, this time around, Lyle Lovett, Carly Simon, Keith Urban, David Crosby, and Art Garfunkel. among others. The result is a bookend to that 2010 release, with the same feel and makeup. Among the highlights this time out are a version of Webb's "Elvis and Me" featuring the Jordanaires, a fine take on "If These Walls Could Speak" with David Crosby and Graham Nash adding harmonies, a desolate "Rider from Nowhere" with members of America providing background vocals, and a striking rendition of "Honey Come Back" with Kris Kristofferson, whose mostly spoken word vocals crack and creak with a whiskey-tinged and worldweary gruffness that gives the song tremendous poignancy. A lot of attention will probably go to the version of Webb's mock epic "MacArthur Park" that's presented here, which finds Brian Wilson adding Beach Boys-styled vocals and atmospherics, and it's certainly interesting, but the song itself still sounds ponderous and bloated, and probably always will, no matter who sings it. ~ Steve Leggett|
Rovi

米国ポップス史上屈指の名ソングライターが、前作に続いてふたたび絶品のセルフ・カヴァー集を届けてくれた。全編を彩る情緒溢れたカントリー風味の演奏も良いが、1曲ごとに招かれた豪華ゲストたち──カーリー・サイモンやアート・ガーファンクル、ルーマーらの助演が聴きもの。なかでも名曲"Macarthur Park"における、御大の叙情的な歌声に寄り添ったブライアン・ウィルソンの無垢なコーラスがとにかく泣ける。
bounce (C)北爪啓之
タワーレコード(vol.359(2013年9月25日発行号)掲載)

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。