| フォーマット | CDアルバム |
| 発売日 | 1991年11月07日 |
| 国内/輸入 | 輸入 |
| レーベル | Stax |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 8514 |
| SKU | 025218851428 |
構成数 : 1枚
合計収録時間 : 00:39:19
Personnel: Little Milton (vocals, guitar), Bobby Manuel, Michael Toles (guitar), Lester Snell (keyboards), William Murphy (bass), David Weatherspoon (bass), Willie Hall (drums) and The Memphis Horns.
Recorded in 1972 and 1974 in Memphis. Previously unrealeased, except for "Walking The Back Streets And Crying", which was released as a single.
Personnel: Little Milton (vocals, guitar); Michael Toles, Bobby Manuel (guitar); Lester Snell (keyboards); Willie Hall (drums).
Recording information: Memphis.
Unknown Contributor Roles: David Weatherspoon; Lester Snell; Allen Sudduth; Michael Toles; The Memphis Horns; Willie Hall; Willie Murphy ; Bobby Manuel.
Little Milton made his last batch of great studio recordings for the legendary Stax label during the early '70s, releasing the studio sets Waiting for Little Milton and Blues 'N Soul, live outings like What it Is, and a clutch of excellent 45s. Walking the Back Streets, released years after his stint with the label had ended, gathers cuts that didn't appear on the full-length albums. For his backing band, Stax provided linchpins from their typically excellent pool of session players. These included guitarists Michael Toles and Bobby Manuel, drummer Willie Hall, keyboard player Lester Snell, and, of course, the Memphis Horns. Though Milton failed to offer a great deal of fresh material during the period, this was hardly a problem, as the singer has always been an exceptional interpreter of the blues in general. Most of the songs selected here are excellent vehicles for displaying both his vocal and guitar prowess. The title track, a slice of smoldering blues driven by exquisite musicianship, still stands out. Not many instrumentalists are capable of deferring to a frontman and displaying ample chops at the same time, the way Manuel, Toles, and Snell are here. The mix enhances this fact perfectly: the rhythm guitarists split between left and right channels, Snell in between but set back in the spectrum, and Milton himself slicing away up front. The band slip into smoky blues funk on the excellent "Somebody's Tears," while "Open the Door to Your Heart," "Letter Full of Tears," and "Bet You I'll Win" all capture the singer in a soulful mood. An excellent set. ~ Nathan Bush
録音 : ステレオ (Studio)

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
