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Do You Love the Sun

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フォーマット CDアルバム
発売日 2013年08月19日
国内/輸入 輸入
レーベルOne Little Indian
構成数 1
パッケージ仕様 -
規格品番 TPLP1210CD
SKU 5016958165420

構成数 : 1枚
合計収録時間 : 00:00:00
Do You Love the Sun, the first new collection of songs to appear from Massachusetts-based alt-country/Northern gothic folk quartet Scud Mountain Boys since 1996, pretty much picks up where things left off. Warm, weary, and congenially intimate, Joe Pernice, Stephen Desaulniers, Bruce Tull, and Tim Shea have crafted a fine new set of understated anthems for the terminally wistful and forlorn, all of which strut and fret their hour upon the stage in that elusive grey area between melancholic, bottle-strewn, front-porch country and resigned, Sunday afternoon, post-pot roast AM pop. The album boasts its fair share of last-call, midtempo juke joint laments ("Crown of Thorns," "Drew Got Shot," "You're Mine"), but Pernice's pop pedigree, which has been honed over the years through a steady stream of solo and full band (the Pernice Brothers, Chappaquiddick Skyline) releases, muscles its way to the surface on some of the record's better moments, like the lush and languid "Theme from Midnight Cowboy," the weepy "Double Bed," and the cleverly subversive, suburban blues tale "The Mendicant," the latter of which deftly and comically, albeit darkly, provides a rusty bridge between the boys of old and the men they have since become. ~ James Christopher Monger

  1. 1.[CDアルバム]
    1. 1.
      Do You Love The Sun
    2. 2.
      Double Bed
    3. 3.
      Crown Of Thorns
    4. 4.
      Learn To Love Him
    5. 5.
      The Mendicant
    6. 6.
      Orphan Girl
    7. 7.
      She Falls Apart
    8. 8.
      Theme From Midnight Cowboy
    9. 9.
      Drew Got Shot
    10. 10.
      You’re Mine

作品の情報

メイン
アーティスト: Scud Mountain Boys

オリジナル発売日:2013年

商品の紹介

Mojo - 3 stars out of 5 -- "[S]unbeams of pedal steel flash agreeably across 'Learn To Love Him' and the mournful 'Orphan Girl'..."
Rovi

Do You Love the Sun, the first new collection of songs to appear from Massachusetts-based alt-country/Northern gothic folk quartet Scud Mountain Boys since 1996, pretty much picks up where things left off. Warm, weary, and congenially intimate, Joe Pernice, Stephen Desaulniers, Bruce Tull, and Tim Shea have crafted a fine new set of understated anthems for the terminally wistful and forlorn, all of which strut and fret their hour upon the stage in that elusive grey area between melancholic, bottle-strewn, front-porch country and resigned, Sunday afternoon, post-pot roast AM pop. The album boasts its fair share of last-call, midtempo juke joint laments ("Crown of Thorns," "Drew Got Shot," "You're Mine"), but Pernice's pop pedigree, which has been honed over the years through a steady stream of solo and full band (the Pernice Brothers, Chappaquiddick Skyline) releases, muscles its way to the surface on some of the record's better moments, like the lush and languid "Theme from Midnight Cowboy," the weepy "Double Bed," and the cleverly subversive, suburban blues tale "The Mendicant," the latter of which deftly and comically, albeit darkly, provides a rusty bridge between the boys of old and the men they have since become. ~ James Christopher Monger|
Rovi

Do You Love the Sun, the first new collection of songs to appear from Massachusetts-based alt-country/Northern gothic folk quartet Scud Mountain Boys since 1996, pretty much picks up where things left off. Warm, weary, and congenially intimate, Joe Pernice, Stephen Desaulniers, Bruce Tull, and Tim Shea have crafted a fine new set of understated anthems for the terminally wistful and forlorn, all of which strut and fret their hour upon the stage in that elusive grey area between melancholic, bottle-strewn, front-porch country and resigned, Sunday afternoon, post-pot roast AM pop. The album boasts its fair share of last-call, midtempo juke joint laments ("Crown of Thorns," "Drew Got Shot," "You're Mine"), but Pernice's pop pedigree, which has been honed over the years through a steady stream of solo and full band (the Pernice Brothers, Chappaquiddick Skyline) releases, muscles its way to the surface on some of the record's better moments, like the lush and languid "Theme from Midnight Cowboy," the weepy "Double Bed," and the cleverly subversive, suburban blues tale "The Mendicant," the latter of which deftly and comically, albeit darkly, provides a rusty bridge between the boys of old and the men they have since become. ~ James Christopher Monger
Rovi

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