フォーマット |
LPレコード |
---|---|
構成数 |
2 |
国内/輸入 |
輸入 |
パッケージ仕様 |
- |
発売日 |
2013年08月27日 |
---|---|
規格品番 |
A16101 |
レーベル |
|
SKU |
744861610113 |
構成数 | 2枚
合計収録時間 | 00:00:00
Not since Rick Astley has a voice seem so mismatched with a body. King Krule's 6 Feet Beneath the Moon features one Archy Marshall, a 19-year-old with the baby-faced looks of a young Ron Howard, who possesses a huge growling baritone that is earthshaking and soulful. Wisely, his beguiling voice is mixed prominently in his debut, up front, to place an accent on his dexterous, streetwise lyrics and the emotional details in his delivery. With a snarling, Billy Idol intensity, Archy sings like the type of kid who would be quick to throw a punch without asking questions. This grittiness contrasts with the balladic nature of his songs, which are built from the ground up from a guitar plugged clean into a Twin Reverb, and a love of jazz-style major seventh chords. Johnny Marr and British pop fusion groups like Prefab Sprout play a role in his songwriting, as do electronic-minded Londoners like James Blake. His breakout single, "Out Getting Ribs," demonstrates his ability to break hearts with just a lone guitar and voice, but elsewhere, lo-fi breakbeats permeate the mix subtly, with songs like "Will I Come" and "Neptune Estate" using some tricks from trip-hop, such as samples, loops, and Rhodes piano. With so many varying styles, it's a bit of a surprise that it comes together so effortlessly, but at its core, Krule is showing all sides of his U.K. environment, and the multiple genres laced into the sparse backdrop are held together by an overlying somber grey fog. Peel that back and you have one of the most vital debuts of the year. ~ Jason Lymangrover
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1.[LPレコード]
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1.Easy Easy
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2.Border Line
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3.Has This Hit?
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4.Foreign 2
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5.Ceiling
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6.Baby Blue
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7.Cementality
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8.Lizard State, A
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9.Will I Come
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10.Ocean Bed
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11.Neptune Estate
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12.Krockadile, The
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13.Out Getting Ribs
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14.What Is There to Say?
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2.[LPレコード]
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2011年のファーストEP以降、BBCの〈Sound Of 2013〉に選出されるなど名を上げてきたキング・クルエルがXLからアルバム・デビュー。18歳とは思えないトム・ウェイツを彷彿とさせるブルージーな歌声もさることながら、UKベース音楽、ダブ、ロックンロールなどをヌルッと咀嚼したメランコリックな音作りに、類い稀な才能を感じさせる。XXを手掛けたロディ・マクドナルドのプロデュースっていうのもバッチリ!
bounce (C)武田晃タワーレコード (vol.358(2013年8月25日発行号)掲載)
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