Rock/Pop
LPレコード

The Civil Wars [2LP+CD]

0.0

販売価格

¥
3,619
税込
還元ポイント

廃盤

在庫状況 について

フォーマット LPレコード
発売日 2013年08月23日
国内/輸入 輸入
レーベルColumbia
構成数 3
パッケージ仕様 -
規格品番 83738501
SKU 888837385015

構成数 : 3枚
合計収録時間 : 01:25:56
Like any union that carries some measure of professional convenience, the Civil Wars encountered difficulties as they began to mature. Unlike other groups whose history extended to a professional gathering of songwriters and singers, the duo of Joy Williams and John Paul White were blessed with considerable immediate success: their 2011 debut climbed its way into the U.S. Top 10, going gold and winning two Grammys along the way. Any other band would've basked in such success, but the Civil Wars began to splinter, announcing in November of 2012 that they were taking a hiatus, leaving behind this, an eponymous second album (along with a soundtrack collaboration with T-Bone Burnett for the documentary A Place at the Table). The Civil Wars doesn't feel unfinished, but it does contain some loose ends that are even more apparent after the refined execution of Barton Hollow, which was an album that glided along upon its own cool reserve. Williams and White hardly abandon that sense of quivering, dreamy sweetness -- the very way they harmonize avoids any dirt or grit -- but they surround themselves with darker colors on The Civil Wars, occasionally opting for bigger, bolder arrangements that underline either the melancholy or yearning underpinning their songs. Cannily, the duo sequence the album to open with a couple of their moodier pieces -- "The One That Got Away," where Williams leans into her phrasing in a manner reminiscent of Amy Lee, and "I Had Me a Girl," a remnant from their Rick Rubin collaboration -- and they occasionally return to such charged sturm and drang, including the neo-gothic melodrama of "Devil's Backbone." Elsewhere, they kick up the tempo and spirit a notch -- "From This Valley" contains echoes of Appalachia and is livelier than anything on Barton Hollow, "Oh Henry" is spare and twitchy like a nerve -- but the duo remain entrenched in harmonies so close they ache and guitars that strum their support without ever gaining attention. Lyrics hint at disquiet beneath the surface, but so much of The Civil Wars can be appreciated merely upon that surface, hearing Williams and White ease into their harmonies as they tastefully conjure spirits of the past to inhabit the present. Ultimately, the Civil Wars are impeccable craftsmen, taking weathered elements and repurposing them for something that feels new and never haunted by what came before. ~ Stephen Thomas Erlewine

  1. 1.[LPレコード] DISC 1:
    1. 1.
      One That Got Away, The
    2. 2.
      I Had Me a Girl
    3. 3.
      Same Old Same Old
    4. 4.
      Dust to Dust
    5. 5.
      Eavesdrop
    6. 6.
      Devil's Backbone
  2. 2.[LPレコード] DISC 2:
    1. 1.
      From This Valley
    2. 2.
      Tell Mama
    3. 3.
      Oh Henry
    4. 4.
      Disarm
    5. 5.
      Sacred Heart
    6. 6.
      D'Arline
  3. 3.[CDアルバム] DISC 3:
    1. 1.
      One That Got Away, The
    2. 2.
      I Had Me a Girl
    3. 3.
      Same Old Same Old
    4. 4.
      Dust to Dust
    5. 5.
      Eavesdrop
    6. 6.
      Devil's Backbone
    7. 7.
      From This Valley
    8. 8.
      Tell Mama
    9. 9.
      Oh Henry
    10. 10.
      Disarm
    11. 11.
      Sacred Heart
    12. 12.
      D'Arline

作品の情報

メイン
アーティスト: The Civil Wars

商品の紹介

Rolling Stone - "[T]he psychosexual pulse is palpable, the gorgeous timbres and harmonies never less than impressive." Billboard - "[With] a powerful lead-off track driven by Williams' anguish-filled vocals and a compelling use of dynamics." Q (Magazine) (p.100) - 3 stars out of 5 -- "[T]here's a spooked version of Etta James's 'Tell Mama' and they add a new layer of depth to The Smashing Pumpkins' already mighty 'Disarm'..." Mojo (Publisher) (p.94) - 3 stars out of 5 -- "In places, it's grunge-informed country, with dirty guitars to match the dark sentiments."
Rovi

2011年の前作でグラミーの〈最優秀フォーク・アルバム〉を獲得した男女デュオから、ブレイク後初となる新作が到着しました。マムフォード&サンズに代表される明るさ押しのネオ・フォーク勢とはひと味違い、感傷的なメロディーがキモ。ベス・ギボンズのようなメランコリーを湛えた曲もあれば、ジョニー・キャッシュ譲りのダーティーでヒリヒリしたナンバーもあり。流行に左右されない、長く愛聴できそうな一品です。
bounce (C)赤瀧洋二
タワーレコード(vol.358(2013年8月25日発行号)掲載)

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