Zion

構成数 : 1枚
合計収録時間 : 01:10:14
Personnel: Michael-Guy Chislett (acoustic guitar, electric guitar, keyboards, synthesizer, percussion, programming, background vocals); Matt Crocker (acoustic guitar, keyboards, synthesizer, percussion, background vocals); Joel Houston (electric guitar, keyboards, synthesizer, background vocals); Jad Gillies (electric guitar, percussion, background vocals); Timon Klein, Dylan Thomas (electric guitar); Evie Gallardo (violin); Michaeli Witney (cello); Ben Tennikoff (accordion, piano, organ, keyboards, synthesizer, programming, background vocals); Peter James (piano, keyboards, synthesizer, programming); Jonathan Douglass (Fender Rhodes piano, percussion, background vocals); Simon Kobler (drums, percussion, programming); James Rudder (percussion, background vocals); Jay Cook, Laura Toganivalu, Taya Smith, Carli Marino, David Ware (background vocals). Audio Mixer: Sam Gibson. Recording information: 11th Hour Studios, Sydney, Australia; Arcadia Studios, Sydney, Australia; Electric Lady Studios, New York, NY; Studios 301, Sydney, Australia; The Space Studios, New York, NY. Photographer: Matt Johnson . Arranger: Hillsong United. If Hillsong United didn't create the modern alternative rock style of worship music, they certainly were the group that helped take it to the top of the gospel charts, having released a string of live albums that were mostly live and loud and both sonically and secularly comparable to Coldplay and/or U2. Kicking off with an electro-tinged bit of rock called "Relentless," Zion is a risky expansion of their sound, incorporating many different flavors of pop music and offering elaborate, epic numbers like "Oceans (Where Feet May Fail)" that are so busy and big they seem to have stepped off Broadway and wound up here. Tempos are often faster than before but the swell of emotion is just as big, while Joel Houston and Matt Croker are still key members of the group, although newcomer Ben Tennikoff makes quite an impact, drawing attention to his keyboard work and co-writing the late-album highlight "Tapestry," which is a soft, swaying number that remains compelling for its six-plus minutes. Some of the tracks, on the other hand, are overly long, making the already big Zion just a touch overstuffed. ~ David Jeffries