Rock/Pop
CDアルバム

販売価格

¥
2,690
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2013年04月05日
国内/輸入 輸入(ヨーロッパ盤)
レーベルThe Block/Boston Five
構成数 1
パッケージ仕様 -
規格品番 1
SKU 887737000004

構成数 : 1枚
合計収録時間 : 00:49:06
Recording information: Blakeslee Recording, US; Deekay Studios. Photographers: Andy Barron; Austin Hargrave. New Kids on the Block succeeded commercially with their 2008 comeback The Block, selling a respectable number of albums but, more importantly, establishing themselves as a concert attraction. It may have served its purpose as a career move but as a record, The Block was a little confused, a rather desperate and often vulgar attempt to position NKOTB as modern R&B hitmakers. That move didn't really work -- "Summertime" barely scraped the U.S. Top 10 (although it did considerably better in Canada, reaching that Top 10) -- so the group decided to take a different tactic on their next album, 2013's 10 (who knows why it's called 10? It's neither their 10th album nor their 10th anniversary). They've gone full-tilt into middle-aged maturity, acting their years with considerable assistance from a bevy of European pop producers, including the team behind Sugababes' hits and Lemar Obika. There is some American flavor here, arriving via Justin Timberlake collaborator James Fauntleroy and regular mainstream pop songsmith Jess Cates, but this streak is subsumed by the heavy gloss of icy synthesizers, cluttered rhythms, and cool, reserved melodies. All in all, even if it's a sound that hardly guarantees hits -- at best, it sounds a few years behind the times; most of the time, it's commercial pop with no conceivable mainstream audience -- it's a sound that suits the middle-aged New Kids well, letting them seem relatively stylish and respectable. Plus, the modest ambitions mean that this is often pleasing to the ears: they're never trying hard for a hit (they're also not writing; Joey McIntyre has two song credits, Donnie Wahlberg has one, and that's it) and the music was constructed to be nothing more than cleanly produced, tuneful, middle-of-the-road pop. This is merely designed to please the diehards.if anybody else happens to like it or if it stumbles into a hit, that's merely a bonus. ~ Stephen Thomas Erlewine

  1. 1.[CDアルバム]
    1. 1.
      We Own Tonight
    2. 2.
      Remix (I Like The)
    3. 3.
      Take My Breath Away
    4. 4.
      Wasted on You
    5. 5.
      Fighting Gravity
    6. 6.
      Miss You More
    7. 7.
      The Whisper
    8. 8.
      Jealous (Blue)
    9. 9.
      Crash
    10. 10.
      Back to Life
    11. 11.
      Now or Never
    12. 12.
      Survive You

作品の情報

メイン
アーティスト: New Kids On The Block

オリジナル発売日:2013年

商品の紹介

ニュー・キッズ・オン・ザ・ブロックは、'84年にボストンで結成された5人組のヴォーカル・グループ。ニュー・エディションを育てたモーリス・スターが、その白人版としてラップ、ダンス、ポップをミックスしたスタイルで売り出し大成功。初の全米NO.1シングル「ラヴィング・ユー」、アルバム・タイトル曲で3週連続NO.1を記録したシングル「ステップ・バイ・ステップ」など80年代末から90年代にかけて大ヒットを連発、アイドルとして絶大な人気を誇ることとなった。まさに、彼らなくしてバックストリート・ボーイズ、インシンク、テイク・ザット等は誕生しなかったと言われるほど。94年の解散後、メンバーそれぞれ俳優、プロデューサー、実業家として活躍を続ける中で、2008年に14年振りに前作のセルフ・タイトル・アルバム『New Kids On The Block』を発表。2011年にはバックストリート・ボーイズとタッグを組んだアルバム『NKOTBSB』を発表したことも記憶に新しいが、グループのオリジナル・アルバムとしては5年ぶりに今作は届けられる。10作目のアルバムということで、タイトルは『10』。今作をひっさげて、5月からはBoys II Menと98 Degreesと共に全米でアリーナ・ツアーを敢行することが発表されており、90年代の熱狂が蘇ること必至。また彼等にとって2014年は、ボーイズ・グループの先駆けとしても注目の集まる一年になりそう。
発売・販売元 提供資料(2013/03/18)

Billboard (p.45) - "10 is a trend-free, earnest collection of vocal pop."
Rovi

New Kids on the Block succeeded commercially with their 2008 comeback The Block, selling a respectable number of albums but, more importantly, establishing themselves as a concert attraction. It may have served its purpose as a career move but as a record, The Block was a little confused, a rather desperate and often vulgar attempt to position NKOTB as modern R&B hitmakers. That move didn't really work -- "Summertime" barely scraped the U.S. Top 10 (although it did considerably better in Canada, reaching that Top 10) -- so the group decided to take a different tactic on their next album, 2013's 10 (who knows why it's called 10? It's neither their 10th album nor their 10th anniversary). They've gone full-tilt into middle-aged maturity, acting their years with considerable assistance from a bevy of European pop producers, including the team behind Sugababes' hits and Lemar Obika. There is some American flavor here, arriving via Justin Timberlake collaborator James Fauntleroy and regular mainstream pop songsmith Jess Cates, but this streak is subsumed by the heavy gloss of icy synthesizers, cluttered rhythms, and cool, reserved melodies. All in all, even if it's a sound that hardly guarantees hits -- at best, it sounds a few years behind the times; most of the time, it's commercial pop with no conceivable mainstream audience -- it's a sound that suits the middle-aged New Kids well, letting them seem relatively stylish and respectable. Plus, the modest ambitions mean that this is often pleasing to the ears: they're never trying hard for a hit (they're also not writing; Joey McIntyre has two song credits, Donnie Wahlberg has one, and that's it) and the music was constructed to be nothing more than cleanly produced, tuneful, middle-of-the-road pop. This is merely designed to please the diehards…if anybody else happens to like it or if it stumbles into a hit, that's merely a bonus. ~ Stephen Thomas Erlewine
Rovi

NKOTBSBのジョイントを挿んで登場した(編集盤などを合わせて)10枚目のアルバム。先行シングル"Remix (I Like The)"はどこかブルーノ・マーズっぽいが、ほぼ全編を北欧のディーケイに委ねたこともあって、ウォンテッドあたりの欧州ボーイズをいつになく意識したようにも思える。結果、ゼッド風の"Crash"など予想以上に若い楽曲がズラリ。アーバン趣味よりアイドル根性を優先して、全米6位を獲得したのは立派だよ!
bounce (C)出嶌孝次
タワーレコード(vol.354(2013年4月25日発行号)掲載)

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