Flamingo: Collector's Edition＜限定盤＞

Rolling Stone (8/6/70, pp.33-4) - "...The Groovies are endless Saturday afternoons in someone's basement, right next to the ping pong table, and cheap Picasso prints....deliciously simple rock and roll music....Get [FLAMINGO] and bop..." Rolling Stone (8/6/70, pp.33-4) - "...The Groovies are endless Saturday afternoons in someone's basement, right next to the ping pong table, and cheap Picasso prints....What they do is play deliciously simple rock and roll music....Get [FLAMINGO] and bop..." Spin (11/99, p.194) - 7 out of 10 - "...fairly-pedestrian post-'50s garage idolatry, more failed Seeds than stoned Stones..." Entertainment Weekly (8/6/99, p.65) - "...boasts two masterpieces ('Coming After Me', and 'Second Cousin') and a lovably loopy rockabilly aesthetic....you've got all the ingredients for a Groovies kind of love." - Rating: A- Q (9/00, p.123) - 4 stars out of 5 - "...[It] can still make heads spin. Heads-down rockers such as 'Gonna Rock Tonite' and 'Headin' For The Texas Border' propel FLAMINGO ever-forward in searing fashion..." Uncut (8/00, p.103) - 3 stars out of 5 - "...A sound parked midway between pub rock and power pop..." Alternative Press (11/99, p.100) - 3 out of 5 - "...Simultaneously maturing and regressing, they embraced outrageous original material written by bandleaders Roy Loney and Cyril Jordan....the Groovies were retro-rock/proto-punk icons who inspired groups like the Cramps..." Mojo (Publisher) (7/00, pp.128-9) - "...Garage R&B speed-freaks should sample [this album]..." Record Collector (magazine) (p.99) - 4 stars out of 5 -- "[T]he band turned their amps up to 11, stripped back their style and unleashed an uncontrollable flamethrower of energy."