Jazz
CDアルバム

販売価格

¥
3,090
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2013年01月19日
国内/輸入 輸入(ヨーロッパ盤)
レーベルEssential Jazz Classics
構成数 1
パッケージ仕様 -
規格品番 EJC55556
SKU 8436542010528

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Art Pepper (alto saxophone); Jack Sheldon (trumpet); Pete Jolly (piano); Jimmy Bond (bass); Frank Butler (drums). Recorded at Contemporary Records, Los Angeles, California on October 24 & 25, 1960. Includes liner notes by Leonard Feather. Originally released on Contemporary (7602). Without the influence of Charlie Parker, Art Pepper's music would have sounded completely different. (Then again, this would be true of all post-war jazz musicians.) With 1960's SMACK UP, Pepper's Parker-inspired playing is filtered through layers of time and experience, and the elder saxophonist's presence is more felt than heard on this album. On SMACK UP, Pepper has taken "the Parker sound" and molded it to fit varying styles of jazz. For example, the record's final two tracks (the latter is an alternate take of the former) cleverly combine bebop with boogie-woogie. Moreover, on "A Bit of Basie," Pepper and his band blend elements of swing with bebop, creating a musical stew that defies strict categorization; he continues in this same vein on Benny Carter's "How Can You Lose." The subtle and "cool" nature of the performances here allow this release to fit nicely alongside other West Coast recordings from this period

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作品の情報

メイン
アーティスト: Art PepperArt Pepper Quintet/Art Pepper

ゲスト
アーティスト: Jack Sheldon

その他
エンジニア: Roy DuNann
プロデューサー: Lester Koenig

商品の紹介

The title of this recording, Smack Up is ironic and inadvertently truthful. Within a short period, Art Pepper would begin spending many years in jail due to his heroin addiction; this was his next-to-last album from that period. Despite the bleak future, the great altoist (who never seemed to make an uninspired record during his unstable life) is in excellent form in a quintet with trumpeter Jack Sheldon, pianist Pete Jolly, bassist Jimmy Bond, and drummer Frank Butler. Highlights of this fine album include Harold Land's title cut, the five/four blues "Las Cuevas de Mario," and Ornette Coleman's "Tears Inside." [Some reissues add two takes of the otherwise unknown "Solid Citizens."] ~ Scott Yanow|
Rovi

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