Jazz
CDアルバム

You Are Here... I Am There

0.0

販売価格

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2,790
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2013年01月22日
国内/輸入 輸入(イギリス盤)
レーベルEsoteric Records
構成数 1
パッケージ仕様 -
規格品番 2943664
SKU 5013929436640

構成数 : 1枚
合計収録時間 : 00:00:00
エディション : Remaster

  1. 1.[CDアルバム]
    1. 1.
      This Evening Was Like Last Year (To Sarah)
    2. 2.
      I Wish There Was a Nowhere
    3. 3.
      Thank Your For the Smile (To Wendy and Roger)
    4. 4.
      Three Minutes from an Afternoon in July (To Nick)
    5. 5.
      View from Battery Point (To John and Pete)
    6. 6.
      Violence
    7. 7.
      Stately Dance for Miss Primm
    8. 8.
      This Evening was Like Last Year [Short Version]

作品の情報

メイン
アーティスト: The Keith Tippett Group

その他
アーティスト: Keith Tippett

オリジナル発売日:1970年

商品の紹介

キング・クリムゾンに参加し、ロバート・フリップに絶大なる影響を与える英国ジャズ・ロック・シーンを代表するピアニスト、キース・ティペットが初のリーダー・グループとして活躍していた1970年の作品がリマスター仕様にて復刻。ソフト・マシーンにも参加するエルトン・ディーンやニュークリアスのジェフ・クラインを率いて緊張感溢れる即興によるスリリングな演奏と、ビートルズの"HEY JUDE"のイントロが盛り込まれたジャズ・シンフォニーの名曲ともいうべき"Thank You For The Smile"などを収録。
発売・販売元 提供資料(2013/01/08)

Keith Tippett's debut album as a bandleader was and remains a rather remarkable affair in that it was the first engagement of British young people who came up in rock, pop, and blues bands to play jazz. Tippett himself is a classically trained musician who came to jazz via Mingus, George Russell, Coltrane, and Pharoah Sanders, but his compositional element also owes to composers such as Darius Milhaud, Vaughan Williams, and Frederick Delius. His front-line group contains the Soft Machine's Elton Dean, plus Nick Evans and Marc Charig, while his rhythm section contains drummer Alan Jackson and bassist Jeff Clyne -- whose bowing sensibilities are not only highly developed but provocative as well. All eight tracks were composed and arranged by Tippett, but his penchant for writing for a particular group of musicians is very keen here: check the Charig solo in "I Wish There Was Nowhere," Tippett's own solo in "Violence," and the saxophonistry of Dean in "Stately Dance for Miss Primm" and both versions of "This Evening Was Like Last Year." Evans' trombone work so thoroughly saturates most charts that it's impossible to single anything out as a specific vehicle for him. Tippett's engaging harmonic sensibilities wrap around tonal investigation, a deeply committed sense of the blues and swing, and a color palette that owes plenty to Gil Evans without sounding the least bit derivative. This is brave jazz that makes use of space, harmonic organization, and free improv, much more so than some of his contemporaries who would just as soon do away with jazz as deepen or widen it. Very fine indeed. ~ Thom Jurek
Rovi

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