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Don't Let Go: Expanded Edition

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フォーマット CDアルバム
発売日 2013年01月17日
国内/輸入 輸入(イギリス盤)
レーベルSoulmusic
構成数 1
パッケージ仕様 -
規格品番 SMCR5080
SKU 5013929078031

構成数 : 1枚
合計収録時間 : 00:59:03
Personnel: George Duke (vocals, keyboards); Sheila Escovedo (vocals, congas, percussion); Josie James, Napolean Murphy Brock (vocals); Charles "Icarus" Johnson (guitar); Carol Shive (violin); Leon "Ndugu" Chancler (drums); Pete Escovedo (congas, percussion). Liner Note Author: A. Scott Galloway. Recording information: Paramont Recording Studios, Los Angeles. Photographer: Norman Seeff. Keyboards wizard George Duke first rose to fame in the bands of Jean-Luc Ponty, Billy Cobham, and Frank Zappa, chiefly playing in a fusion-charged mode. By the late 1970s, Duke was also singing, and infused his own music with a serious quantity of strutting, infectious R&B. DON'T LET GO, from 1978, features Duke dealing in heavy-duty funk, flavored by bright Latin rhythms. This album also features percussion by a young Shelia E., years before her own pop breakthrough.

  1. 1.[CDアルバム]
    1. 1.
      We Give Our Love
    2. 2.
      Morning Sun
    3. 3.
      Percussion Interlude
    4. 4.
      Dukey Stick
    5. 5.
      Starting Again
    6. 6.
      Yeah We Going
    7. 7.
      The Way I Feel
    8. 8.
      Movin' On
    9. 9.
      Don't Let Go
    10. 10.
      Preface
    11. 11.
      The Future
    12. 12.
      Dukey Stick, Pt. 1 [Us Epic Single]
    13. 13.
      Dukey Stick, Pt. 2 [Us Epic Single]
    14. 14.
      Dukey Stick [Us Epic 12'' Single]

作品の情報

メイン
アーティスト： George Duke

その他
プロデューサー： George Duke 、 David Nathan
エンジニア： Kerry McNabb

オリジナル発売日：1978年

商品の紹介

With a hot funk band and a big hit, "Reach for It," behind him, George Duke appears mostly in his persona as R&B star on this ebullient package of sometimes Latin-inflected '70s funk. The centerpiece is a self-parodic bit of shuck and jive called "Dukey Stick," which became a number four hit single on the R&B charts (at his gigs, Duke used to flaunt a gaudy, lit-up, perhaps phallic wand, the "Dukey stick," during this number). The percussion section is pretty potent, staffed by Leon "Ndugu" Chancler and Sheila Escovedo in her pre-pop star days; they even get a Latin workout of their own simply titled "Percussion Interlude." While some of Duke's considerable keyboard and electronic prowess breaks through now and then, this album is mainly aimed at the R&B market, as the preponderance of soul vocals indicates. As such, it is a cut or two above the routine fare of the time, though not as infectious as its predecessor Reach for It. ~ Richard S. Ginell|
Rovi

With a hot funk band and a big hit, "Reach for It," behind him, George Duke appears mostly in his persona as R&B star on this ebullient package of sometimes Latin-inflected '70s funk. The centerpiece is a self-parodic bit of shuck and jive called "Dukey Stick," which became a number four hit single on the R&B charts (at his gigs, Duke used to flaunt a gaudy, lit-up, perhaps phallic wand, the "Dukey stick," during this number). The percussion section is pretty potent, staffed by Leon "Ndugu" Chancler and Sheila Escovedo in her pre-pop star days; they even get a Latin workout of their own simply titled "Percussion Interlude." While some of Duke's considerable keyboard and electronic prowess breaks through now and then, this album is mainly aimed at the R&B market, as the preponderance of soul vocals indicates. As such, it is a cut or two above the routine fare of the time, though not as infectious as its predecessor Reach for It. ~ Richard S. Ginell
Rovi

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